曼第纳美德之母

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2003-01-01 DOI:10.2307/1483728

Philipp P. Fehl

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引用次数: 0

摘要

本文延续了前一篇《艺术史上的赞美及其命运》所阐述的主要问题。这一次，作者试图解决在赞美中找到正确的尺度的问题。安德里亚·曼特尼亚(Andrea Mantegna)的名画《帕拉斯从美德花园驱逐罪恶》(巴黎，卢浮宫)为他提供了一个回答这个问题的方法，因为这幅画本身就表现了对美德的赞美。作者让人联想到古代短语大师老菲洛斯特拉托斯的形象，以及《想象》的作者，他和他的同伴，一个10岁的小男孩谈话，从而向读者呈现了两个“幽灵”之间的巧妙对话，其中图像的隐含信息变得清晰，因此-我们可以了解开头提出的问题的答案。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Mantegnas "Mutter der Tugenden"

The present article continues the main problem expounded in the previous one, devoted to the Praise in the History of Art and Its Fate. This time the authors tries to deal with the issue of finding the right measure in praising. Andrea Mantegna's famous painting Pallas Expelling the Vices from the Garden of Virtues (Paris, Louvre) serves him as a means to present his answer to that question, since the painting itself shows the praise of the virtues. The author evokes the figure of Philostratus the Elder, the ancient master of ekphrasis, and the author of Imagines, talking to his companion, a young 10-year-old boy, thus presenting the reader with a masterly dialogue between the two "ghosts", in which the veiled message of the picture becomes clear, and consequently - we can learn the answer to the problem posed at the beginning.

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.