列奥纳多·达·芬奇的《最后的晚餐》:翻箱倒柜的案例

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2003-01-01 DOI:10.2307/1483731

J. Wasserman

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引用次数: 1

摘要

最近在米兰圣玛丽亚德勒格拉济的多米尼加餐厅清理莱昂纳多的《最后的超级》时，犹大右手腕附近出现了无形态的变色。这幅画的复制品显示，犹大不小心打翻了一个盐窖，把里面的东西洒到了桌子上，结果留下了污渍。我的论文提出并回答了三个问题。盐窖什么时候，为什么会变成幽灵?列奥纳多在《最后的晚餐》中加入这件器皿的想法是出自他之手吗?在《最后的晚餐》的语境中，这个物品传达了什么思想?

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Leonardo da Vinci's Last Supper: The Case of the Overturned Saltcellar

Recent cleaning of Leonardo's Last Super in the Dominican refectory of Santa Maria delle Grazie, Milan, accentuates an amorphous discoloration near the right wrist of Judas. The discoloration is the residue of what replicas of the painting show as a saltcellar Judas accidentally overturns,spilling its contents onto the table. My paper poses and responds to three questions. When and why was the saltcellar reduced to ghost-like status? Did Leonardo originate the idea of including the utensil in a Last Supper? What idea does the object convey in a Last Supper context?

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.