米歇尔·托西尼的斯特罗齐教堂:救赎顿悟的视觉诠释

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483700

H. Hornik

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引用次数: 0

摘要

重新发现和分析Michele Tosini(1503-1577)唯一现存的壁画循环，重申了这位风格主义艺术家在16世纪中期佛罗伦萨的重要性。教堂壁画由斯特罗齐家族委托，描绘了国王的崇拜和迦拿的婚礼，这两个事件与最受欢迎的佛罗伦萨节日主显节有关。第三个事件，基督的洗礼与最初的祭坛面板上的哀悼场景并列。壁画和祭坛面板共同定义了教堂的程序，从婴儿叙事到基督的牺牲和死亡的完整救赎周期。

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The Strozzi Chapel by Michele Tosini: A Visual Interpretation of Redemptive Epiphany

The rediscovery and analysis of the only extant fresco cycle by Michele Tosini (1503-1577) reaffirms the importance of this Mannerist artist in mid-sixteenth century Florence. The chapel frescoes, commissioned by the Strozzi family, depict the Adoration of the Kings and the Marriage at Cana, two events associated with the favorite Florentine feast day of the Epiphany. A third event, the Baptism of Christ is juxtaposed with a Lamentation scene in the original altar panel. Together, the frescoes and altar panel define the program of the chapel as the full cycle of redemption from the infancy narratives through Christ's sacrifice and death.

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.