米开朗基罗和旁观者之眼:早期博洛尼亚雕塑

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483698

E. Longsworth

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引用次数: 2

摘要

米开朗基罗于1494年至1495年在博洛尼亚逗留期间为圣多米尼克神社雕刻的圣佩特罗尼乌斯、圣普罗库鲁斯和烛台天使的设计，说明了他对物体的敏感，认为它是一种与观察者联系在一起的视觉体验，受场地条件的支配。事实上，这三个小雕像提供的视觉证据表明，从他作为雕塑家的职业生涯开始，米开朗基罗关于人物构图al gidizio dell'occhio的基本思想就已经牢固地确立了，他后来因此而闻名。

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Michelangelo and the Eye of the Beholder: The Early Bologna Sculptures

Michelangelo's designs for St. Petronius, St. Proculus and the Candelabrum-Bearing Angel, carved for the Shrine of St. Dominic in Bologna during a stay in the city from 1494 to 1495, illustrate his sensitivity to the object as a visual experience bound to the observer and governed by conditions imposed by the site. The visual evidence provided by these three statuettes in fact demonstrates that, from the beginning of his career as a sculptor, Michelangelo's fundamental ideas concerning figural composition al giudizio dell'occhio, for which he later would become famous, were firmly in place.

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.