模特的姿势:拉斐尔早期对古董和意大利艺术的运用

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483696

M. Kwakkelstein

{"title":"模特的姿势:拉斐尔早期对古董和意大利艺术的运用","authors":"M. Kwakkelstein","doi":"10.2307/1483696","DOIUrl":null,"url":null,"abstract":"This article seeks to define the early development of Raphael's approach to the representation of the nude figure by reviewing the sources and dating of a number of his figure studies. It opens by linking some of these drawings to antiquities visible in Rome to support the theory of Raphael's presence in that city before 1508. It is then argued that, prior to his first studies after antique sculpture and the live nude model, executed in Florence, Raphael had assimilated classical motifs through a close study of the art of Perugino and Antonio Pollaiuolo. New evidence is presented to show that, contrary to a currently held view, Perugino and Pollaiuolo closely imitated antique sources.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"23 1","pages":"37-60"},"PeriodicalIF":0.1000,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483696","citationCount":"2","resultStr":"{\"title\":\"The Model's Pose: Raphael's Early Use of Antique and Italian Art\",\"authors\":\"M. Kwakkelstein\",\"doi\":\"10.2307/1483696\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article seeks to define the early development of Raphael's approach to the representation of the nude figure by reviewing the sources and dating of a number of his figure studies. It opens by linking some of these drawings to antiquities visible in Rome to support the theory of Raphael's presence in that city before 1508. It is then argued that, prior to his first studies after antique sculpture and the live nude model, executed in Florence, Raphael had assimilated classical motifs through a close study of the art of Perugino and Antonio Pollaiuolo. New evidence is presented to show that, contrary to a currently held view, Perugino and Pollaiuolo closely imitated antique sources.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"23 1\",\"pages\":\"37-60\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2002-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483696\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483696\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483696","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 2

摘要

这篇文章试图通过回顾他的一些人物研究的来源和日期来定义拉斐尔的方法对裸体人物的表现的早期发展。它通过将这些画作与在罗马可见的文物联系起来来支持拉斐尔在1508年之前就在罗马的理论。有人认为，在他第一次研究古董雕塑和在佛罗伦萨创作的真人裸体模特之前，拉斐尔通过仔细研究佩鲁吉诺和安东尼奥·波莱约洛的艺术，吸收了古典主题。新的证据表明，与目前持有的观点相反，佩鲁吉诺和波莱约洛密切模仿古代资料。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The Model's Pose: Raphael's Early Use of Antique and Italian Art

This article seeks to define the early development of Raphael's approach to the representation of the nude figure by reviewing the sources and dating of a number of his figure studies. It opens by linking some of these drawings to antiquities visible in Rome to support the theory of Raphael's presence in that city before 1508. It is then argued that, prior to his first studies after antique sculpture and the live nude model, executed in Florence, Raphael had assimilated classical motifs through a close study of the art of Perugino and Antonio Pollaiuolo. New evidence is presented to show that, contrary to a currently held view, Perugino and Pollaiuolo closely imitated antique sources.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Artibus et Historiae ART-

自引率

0.00%

发文量

期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.