皮耶罗家的“大力神”

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2002-01-01 DOI:10.2307/1483683

C. Gilbert

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引用次数: 0

摘要

皮耶罗·德拉·弗朗西斯卡的《赫拉克勒斯》是波士顿伊莎贝拉·斯图尔特·加德纳博物馆的一幅壁画，也是这位画家唯一的世俗作品，在他的画作中有许多方面是独一无二的。虽然它作为签名作品的真实性从未受到质疑，但在关于皮耶罗的文献中，它通常被忽视。这幅壁画来自画家自己在博尔戈圣塞波尔克罗的房子，因此是艺术家自我赞助的一个例外情况。与皮耶罗后来的肖像的构图和尺寸的类比，以及普律当斯美德的肖像属性和其他一些线索，导致作者做出一个令人信服的概念，即大力神是皮耶罗的自画像，更重要的是，一个“道德”的，表征他作为一个艺术家。

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The "Hercules" in Piero's House

Piero della Francesca's Hercules, a fresco in the Isabella Stewart Gardner Museum in Boston, and the painter's only secular work, is unique among his paintings in many respects. Although its authenticity as an autograph work has never been questioned, it is usually neglected in the literature on Piero. The fresco comes from the painter's own house in Borgo San Sepolcro and thus is an exceptional case of an artist's self-patronage. The analogy of composition and dimensions with Piero's later portrait, as well as iconographic attributes of the virtue of Prudence and some other clues, lead the author to make a convincing notion that the Hercules is Piero's self-portrait, what is more, a "moral" one, characterising him as an artist.

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来源期刊

Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.