{"title":"塞壬和独角兽:在蒙特索的罗马式启示录","authors":"William J. Travis","doi":"10.2307/1483681","DOIUrl":null,"url":null,"abstract":"Focusing on the relationship between word and image at Montceaux-l'Etoile, this essay argues that a pair of capitals representing a siren and an onocentaur functioned as a sculptural commentary on the apocalyptic notion that \"the time is near.\" From a broader perspective, this interpretation opens up a new way to read the Romanesque sculpture of Burgundy as word images, where capitals evoked specific phrases from scripture and the choice of phrases determined the overall program; comparisons to Autun and Vezelay suggest that these churches adopted a similar method. Eighty-one texts collected in the appendix set out the evidence for the siren and onocentaur in early medieval thought.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"23 1","pages":"29-62"},"PeriodicalIF":0.1000,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483681","citationCount":"9","resultStr":"{\"title\":\"Of Sirens and Onocentaurs: A Romanesque Apocalypse at Montceaux-l'Etoile\",\"authors\":\"William J. Travis\",\"doi\":\"10.2307/1483681\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Focusing on the relationship between word and image at Montceaux-l'Etoile, this essay argues that a pair of capitals representing a siren and an onocentaur functioned as a sculptural commentary on the apocalyptic notion that \\\"the time is near.\\\" From a broader perspective, this interpretation opens up a new way to read the Romanesque sculpture of Burgundy as word images, where capitals evoked specific phrases from scripture and the choice of phrases determined the overall program; comparisons to Autun and Vezelay suggest that these churches adopted a similar method. Eighty-one texts collected in the appendix set out the evidence for the siren and onocentaur in early medieval thought.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"23 1\",\"pages\":\"29-62\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2002-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483681\",\"citationCount\":\"9\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483681\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483681","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Of Sirens and Onocentaurs: A Romanesque Apocalypse at Montceaux-l'Etoile
Focusing on the relationship between word and image at Montceaux-l'Etoile, this essay argues that a pair of capitals representing a siren and an onocentaur functioned as a sculptural commentary on the apocalyptic notion that "the time is near." From a broader perspective, this interpretation opens up a new way to read the Romanesque sculpture of Burgundy as word images, where capitals evoked specific phrases from scripture and the choice of phrases determined the overall program; comparisons to Autun and Vezelay suggest that these churches adopted a similar method. Eighty-one texts collected in the appendix set out the evidence for the siren and onocentaur in early medieval thought.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.