{"title":"会说话的想像.对于伦勃朗的一些人像,还有一些评论","authors":"L. O. Larsson","doi":"10.2307/1483651","DOIUrl":null,"url":null,"abstract":"The article discusses some portraits by Rembrandt in connection with theories of rhetoric. Point of departure is the posthumous portrait of J. C. Silvius which is compared to the artist's portraits of C. Claesz. Anslo and with his earlier portrait of Silvius. The analysis focuses on formal and decorous problems connected with the representation of speech in portraits, including a discussion of Vondel's famous four lines on Anslo's portrait as well as on other examples of the tradition they belong to. In comparison with Rembrandt's portrait of Jan Asselyn the means of characterization to be derived from rhetorical actio is discussed.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"22 1","pages":"45-54"},"PeriodicalIF":0.1000,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483651","citationCount":"1","resultStr":"{\"title\":\"Sprechende Bildnisse. Bemerkungen zu einigen Porträts von Rembrandt\",\"authors\":\"L. O. Larsson\",\"doi\":\"10.2307/1483651\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article discusses some portraits by Rembrandt in connection with theories of rhetoric. Point of departure is the posthumous portrait of J. C. Silvius which is compared to the artist's portraits of C. Claesz. Anslo and with his earlier portrait of Silvius. The analysis focuses on formal and decorous problems connected with the representation of speech in portraits, including a discussion of Vondel's famous four lines on Anslo's portrait as well as on other examples of the tradition they belong to. In comparison with Rembrandt's portrait of Jan Asselyn the means of characterization to be derived from rhetorical actio is discussed.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"22 1\",\"pages\":\"45-54\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2001-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/1483651\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/1483651\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483651","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Sprechende Bildnisse. Bemerkungen zu einigen Porträts von Rembrandt
The article discusses some portraits by Rembrandt in connection with theories of rhetoric. Point of departure is the posthumous portrait of J. C. Silvius which is compared to the artist's portraits of C. Claesz. Anslo and with his earlier portrait of Silvius. The analysis focuses on formal and decorous problems connected with the representation of speech in portraits, including a discussion of Vondel's famous four lines on Anslo's portrait as well as on other examples of the tradition they belong to. In comparison with Rembrandt's portrait of Jan Asselyn the means of characterization to be derived from rhetorical actio is discussed.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.