批判性评论:城市主义的实践

Hugo Portela Silva
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引用次数: 0

摘要

在二战后的时期,美术学院创造了两种截然不同的方法论趋势之间的讽刺联盟:学术传统和现代运动(沛纳海,1996)。从城市规划的角度来看,引入现代形式主义,忽视了将建筑实践与城市发展过程联系起来的形式研究,引发了城市主义与建筑关系的危机。目的是根据后现代时期发展起来的实践和技术来讨论领土逻辑,即:领土尺度;布局与城市肌理;建类型;城市的结构和形状。通过对Philippe Panerai(1996)的《城市主义的实践》的书目回顾,更深入地分析了城市结构的类型学和正式研究的重要性,以及它与指现代规划及其对城市发展项目的影响的时期的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
RESENHA CRÍTICA: A PRÁTICA DO URBANISMO
Configured in the post-World War II period, the School of Fine Arts creates a caricatural alliance between two contrasting methodological trends: the academic tradition and the modern movement (PANERAI, 1996). Inviting to modern formalism, from the perspective of urban planning, the formal studies that associate architectural practices to the process of urban development are ignored, inciting a crisis in the relationship between urbanism and architecture. The objective is to discuss the territorial logic according to the practices and techniques developed in the postmodern period, wich are: territorial scales; layout and urban fabric; built types; and urban fabrics and shapes. Through bibliographic review of “The Practice of Urbanism”, by Philippe Panerai (1996), a more in-depth analysis of the importance of typological and formal studies of the urban fabric and it relation with the period that refers to modern planning and its impact on the city development projetcs.
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