“啊,多么美丽的土地啊……:关于在a·佩文采夫(A. Perventsev)的小册子背景下对v·巴赫诺夫(V. Bakhnov)的模仿

Stanislav V. Sviridov
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引用次数: 0

摘要

研究对象是Vladlen Bakhnov的恶搞歌曲“Ah, chto za slavnaya ziemlya”(“啊,多么光荣的土地……”),这首歌是为了回应Arkady Perventsev的小册子“Kuriny bog”(“鸡神”)而写的。本研究的目的是找出作者作为一个对象的喜剧形象的戏仿文本的形成策略。所考虑的文本的第一次印刷出版物被作为研究材料。这项工作的复杂方法是基于一种涉及结构和历史文化方法的比较方法。在讨论这个问题时,所研究的每一部作品都是单独考虑的。通过对A. Perventsev的小册子的分析,可以确定作者演讲的文化前提,并描绘小册子的体裁诗意特征。V.巴赫诺夫的戏仿作为一种“作品的喜剧形象”,其特点是考虑到这样一个事实,即戏仿类型假设了诗歌材料的选择:文本对象的一些建设性元素被复制,其他元素被忽略;其他人则组成了“自己的”诗歌模仿作品系列。确定巴赫诺夫歌曲的引用计划由A. Perventsev的论文,判断和新闻陈词滥调组成,小册子的象征主义成为“错过”的材料。“添加”的素材以一种非典型的模仿风格组织起来——它反映了盗贼歌曲“Eh, kak vspomnish starinu”(“呃,如果你还记得过去的日子……”)的诗意形式。在这方面,V. Bakhnov的作品类型被定义为拙劣的重复。研究成果可用于编写20世纪下半叶俄罗斯文学史课程、专门课程和高等教育机构的研讨会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Ah, what a glorious land...”: about the parody of V. Bakhnov against the backdrop of the pamphlet by A. Perventsev
The object of research is Vladlen Bakhnov's parody song «Ah, chto za slavnaya ziemlya» (“Ah, what a glorious land...”), written as a response to Arkady Perventsev's pamphlet «Kuriny bog» (“Chicken God”). The purpose of the study is to identify the author's strategy of the parody text formation as a comic image of an object. The first printed publications of the texts under consideration are taken as the research material. The complex methodology of the work is based on a comparative method involving structural and historical-cultural methods. When discussing the issue, each of the studied works is considered separately. The analysis of the pamphlet by A. Perventsev makes it possible to identify the cultural prerequisites of the writer's speech and to characterize the genre-poetic specifics of the pamphlet. V. Bakhnov's parody as a “comic image of a work” is characterized taking into account the fact that the parody genre supposes the selection of poetic material: some constructive elements of the text-object are reproduced, others are ignored; others make up the “own” poetic series of the parodying work. It is established that the quotation plan of V. Bakhnov's song consists of theses, judgments and journalistic cliches of A. Perventsev, the symbolism of the pamphlet becomes the “missed” material. The “added” material is organized in a way atypical for the genre of parody – it reflects the poetic form of the thieves' song «Eh, kak vspomnish starinu» (“Eh, if you will remember the old days...”). In this regard, the genre of V. Bakhnov's work is defined as a parody rehash. The results of the research can be used in the preparation of courses on the history of Russian literature of the second half of the 20th century, special courses and seminars in higher educational institutions.
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