卡尔梅特对吸血鬼文学主题创作的贡献

IF 0.1 0 LITERATURE, ROMANCE
Carme Agustí Aparisi
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引用次数: 4

摘要

在18世纪的“吸血鬼瘟疫”时期,本笃会教徒多姆·奥古斯丁·卡尔梅特(Dom Augustin Calmet)写了一本《叛徒》(Traite),质疑吸血鬼的存在。他的作品和其他作家的作品合集,矛盾的是,将有助于这些生物神话的创造和传播,为吸血鬼文学中的文学角色的发展提供故事的数据。我们将集中研究Calmet收集的两个主要主题:坟墓中死者的主要特征以及如何杀死这些生物。我们将在发展吸血鬼文学原型的作家的创作作品中对比这两个主题:波利多利、勒法努和斯托克;然后以提克、戈蒂埃和托尔斯泰的三部作品为中心追溯原型的演变。正如我们将在结论中描述的那样,卡尔梅特所描述的亡魂的原型发生了巨大的变化;关于如何杀死吸血鬼,在文学故事中杀死这种生物的不同方法,和卡尔梅特在他的作品中描述的是一样的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La aportación de Calmet a la creación de tópicos en la literatura vampírica
In a time of a "vampirism plague" in the 18th century, the Benedictine, Dom Augustin Calmet, wrote a Traite to contest the existence of vampires. His writings, a collection of other authors, paradoxically, will contribute to the creation and dissemination of the myth of these creatures, providing data on the stories that will aid in developing the literary character in vampire literature. We will focus on the study of two main topics collected by Calmet: the main characteristics of the dead in the grave and how to kill these creatures. We will contrast these two topics in the creative works of authors that developed the literary archetype of the vampire: Polidori, Le Fanu and Stoker; to subsequently trace the evolution of the archetype focusing on three works of Tieck, Gautier and Tolstoi. As we will describe in our conclusions, there has been a great change in the archetype of the revenant described by Calmet; about how to kill the vampire, the different ways to kill the creature, in literary stories are the same as those Calmet will describe in his writings.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
2
审稿时长
12 weeks
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