Del drama sanandresano al Jiggy raizal

The musical studies that focus on the origin of the genres and the identities that they evoke in those who dance, sing and produce the different musical expressions are varied. In networks and bibliographies there are several studies around the champeta and the construction of identities in the Colombian continental Caribbean, for example, the work of Claudia Mosquera and Marion Provansal (2000) and that of Jorge Giraldo (2007), and works that even They focus on the connection and evolution of genres from the same community, such as that of Nicolas Castro (2017). However, this text does not delve much into the musical movement in San Andres, but rather aims to unravel a situation left aside: the identity issue in the archipelago music videos.