北印度农村口述传统中对男子气概的普遍看法

IF 0.6 3区 社会学 Q1 Arts and Humanities
P. Chowdhry
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引用次数: 14

摘要

在印度北部农村,特别是哈里亚纳邦地区的口头传统中,霸权男子气概作为一种意识形态结构出现在牢牢定位于物质性的父权制结构中。这创造并巩固了男性对各类人的权力,并突出了男性、种姓、阶级和性别的几种等级制度,包括男性和女性之间以及男性和男性之间的等级制度。口述传统,包括民间故事、神话、民歌、流行语和谚语,在广泛的社会群体中享有社会交往的共同货币。总之,这些已经被评估,以提供有价值的见解,如何男性气概被感知,生活,或实践在地方层面,并塑造或重塑,以应对正在发生的社会经济变化。然而,在这个地区也有一种相反的男子气概形象,它摧毁了所有被认为是霸权男子气概的标志。在女性民歌中,这种形象被认为是对男性权力、权威和“男性化”的威胁。所有上层种姓男性试图审查这些歌曲或取代它们的尝试都没有成功,从而突出了围绕男性气概本身概念的持续矛盾和争论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Popular Perceptions of Masculinity in Rural North Indian Oral Traditions
In the oral tradition of rural north India, especially the Haryana region, hegemonic masculinity emerges as an ideological construct in the structure of patriarchy firmly located in materiality. This creates and consolidates male power over various categories of people and highlights several hierarchies of masculinities, caste, class, and gender, including those between males and females as well as those between males and males. The oral tradition, which includes folktales, myths, folk songs, popular sayings, and proverbs, enjoys a common currency of social interaction among a wide range of social groups. Together these have been evaluated to provide valuable insights into how masculinities are perceived, lived, or practiced at the local level, and molded or remolded in response to the socioeconomic shifts that are taking place. However, in this region there is also a contrary imaging of masculinity that demolishes all that is regarded as the hallmark of hegemonic masculinity. Registered in women’s folk songs, this imaging is considered a threat to male power, authority, and what is perceived to be “masculine.” All attempts by upper caste males to censor these songs or replace them have been unsuccessful, thereby highlighting the ongoing contradiction and contest around the concept of masculinity itself.
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来源期刊
Asian Ethnology
Asian Ethnology Multiple-
CiteScore
1.10
自引率
0.00%
发文量
0
审稿时长
30 weeks
期刊介绍: Asian Ethnology (ISSN 1882–6865) is a double-blind peer-reviewed journal registered as an Open Access Journal with all the contents freely downloadable. Please read the information on our open access and copyright policies. A list of monographs that were published under the journal''s former names, Folklore Studies and Asian Folklore Studies, appear here. Asian Ethnology is dedicated to the promotion of scholarly research on the peoples and cultures of Asia. It began in China as Folklore Studies in 1942 and later moved to Japan where its name was changed to Asian Folklore Studies. It is edited and published at Nanzan University in Nagoya, Japan, with the cooperation of Boston University. Asian Ethnology seeks to deepen understanding and further the pursuit of knowledge about the peoples and cultures of Asia. We wish to facilitate intellectual exchange between Asia and the rest of the world, and particularly welcome submissions from scholars based in Asia. The journal presents formal essays and analyses, research reports, and critical book reviews relating to a wide range of topical categories, including: -narratives, performances, and other forms of cultural representation -popular religious concepts -vernacular approaches to health and healing -local ecological/environmental knowledge -collective memory and uses of the past -cultural transformations in diaspora -transnational flows -material culture -museology -visual culture
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