E elxs viverão felizes para sempre? (in)visibilidades de personagens LGBTs em produções da Disney como força propulsora de ciberacontecimentos

From the senses that emerged on Twitteraround the possibility of Queen Elsa, from Frozen (2013) be a lesbian, from the kisses between characters of the same genre in the Star  vs.  the Forces of Evil (2015) and the insertion of a gay character in the film Beauty and the Beast (2017), we ask what the visibility of these subjects in Disney productions points to the articulations among pop culture, cyberevents and issues of gender and sexuality. The methodology used is the analysis of the construction of senses in digital networks (HENN, 2014) and, at the end of it, it was possible to understand, in general terms, that the insertion of these characters produced intense reverberation, between users and news portals and movements of support and deploration of the initiative.