“狼的正义”:伊利亚特的多洛尼亚和狼的符号学

IF 0.9 2区 历史学 0 CLASSICS
D. Steiner
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引用次数: 0

摘要

本文讨论了希腊古代和早期古典文学和视觉资料中狼的表现(并展望了后来的叙述)。通过对《伊利亚特》(Iliadic Doloneia)的仔细解读,作者认为,在神话、寓言和其他话语模式中,以及在早期艺术传统中,狼通常是一种信号,表明当朋友变成敌人,过去的哲学家或“第二个自我”背叛了他的同类时,就会发生区别的丧失。在讨论中突出的是两个进一步的问题:普遍的混乱或振荡,这是许多文本和艺术版本的故事的特征,以及规范性表现更经常对比的两个角色之间的区别的丧失,即战士和猎人,战争受害者和动物猎物。在多洛尼亚,战争和狩猎是分不开的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Wolf’s Justice”: The Iliadic Doloneia and the Semiotics of Wolves
This article treats representations of the wolf in the Greek archaic and early classical literary and visual sources (with glances forward to later accounts). Using a close reading of the Iliadic Doloneia as a point of departure, it argues that wolves in myth, fable, and other modes of discourse, as well as in the early artistic tradition, regularly serve as a means of signaling the loss of distinctions that occurs when friend turns into foe and an erstwhile philos or “second self” betrays one of his kind. Prominent in the discussion are two further issues: the generic confusion or oscillation that characterizes so many textual and artistic versions of the tale, as well as the loss of distinction between two roles that normative representations more regularly contrast, those of warrior and hunter, martial victim and animal prey. Within the Doloneia, warfare proves indistinguishable from the hunt.
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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