字面意思是KarelČapek的作品或“写在边缘的思考”

Q3 Arts and Humanities
Magdaléna Smějsíková
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引用次数: 0

摘要

卡雷尔Čapek作品中的Postfaces,或“写在空白处的反思”本研究侧重于卡雷尔Čapek作品(1980-1995年出版)中的Postfaces,并着眼于它们与主要文本的关系。第一部分探讨了这些文章的性质,以及它们所涉及的主题,与格萨杰·吉内特的准文本理论有关。然后,作者继续研究文章中关于阅读Čapek作品的经验的某些预设,以及文章的作者如何或是否意识到他们在调解这种经验中的作用。在研究的第三部分也是最后一部分,作者考察了1948年至1989年期间对文学的要求,以及这些要求如何反映在海报上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Doslovy ke Spisům Karla Čapka aneb „Úvaha psaná na okraj“
Postfaces in Karel Čapek’s Writings , or ‘Reflections Written in the Margin’ This study focuses on the postfaces that accompany Karel Čapek’s Writings (published 1980–1995), with an eye to the way they relate to the primary texts. The first part explores the nature of these essays, as well as the topics they address, in relation to Gérard Genette’s theory of paratexts. The author then goes on to examine certain presuppositions in the essays about the experience of reading Čapek’s writings, and how or whether authors of the essays are aware of their role in mediating this experience. In a third and final part of the study, the author examines the demands placed on litera-ture during the period 1948–1989, and how they are reflected in the postfaces.
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来源期刊
Slovo a Smysl
Slovo a Smysl Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
23
审稿时长
30 weeks
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