救济间隔

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Representations Pub Date : 2022-01-01 DOI:10.1525/rep.2022.159.4.90

Hsin-Yuan Peng

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引用次数: 0

摘要

从20世纪20年代末到40年代初，气象学家阿部正雄(1891-1966)使用延时和立体技术研究富士山附近的云。安倍的研究将电影、云和立体镜连接在一个调解的电路中，既有字面意义，也有隐喻意义。通过分析Abe的图像制作实践以及他对魔术和技巧的讨论，本案例研究提出气象可视化是一种伪造的艺术。

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Intervals in Relief

From the late 1920s to the early 1940s, meteorologist Abe Masanao (1891–1966) used time-lapse and stereoscopy to study clouds near Mount Fuji. Abe’s research connects cinema, clouds, and the stereoscope in a circuit of mediation, both literal and metaphorical. Analyzing Abe’s image-making practices alongside his discussion of tricks and magic, this case study proposes that meteorological visualization is an art of forgery.

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来源期刊

Representations Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture