逃亡的声音

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Representations Pub Date : 2021-01-01 DOI:10.1525/rep.2021.154.2.10

M. Feldman

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引用次数: 2

摘要

本文提出，弗莱德·莫滕(Fred Moten)提出的术语所理解的当代逃亡性概念，是一种逃避简单表征和谓词的不规则类别，可以以富有成效的方式扰乱音乐史。其中:它可以通过关注困扰过去的声音残余来影响音乐学思维;它可以分散对美学的理解;它可以引导人们更细致入微地思考音乐在生活“底层”中的融合，这种生活拒绝完全和谐地发声，而是居住在一个不安、嘈杂的无序空间中。最后，这篇文章提出了这样一个问题:由莫顿、纳撒尼尔·麦基和达芙妮·布鲁克斯等人发展起来的思维，如何重塑音乐学对声音的思考。

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Fugitive Voice

This essay proposes that current-day notions of fugitivity, understood in the terms Fred Moten proposes as a category of the irregular that escapes easy representations and predications, can undiscipline music histories in productive ways. Among these: it can inflect musicological thinking through attention to sonic remainders of haunted pasts; it can decenter understandings of the aesthetic; and it can lead to more nuanced thinking about the imbrication of music in an “undercommons” of life that refuses ever to fully sound in harmony, residing instead in a disordered space of restless, noisy sound. The essay asks, finally, how such thinking, developed by Moten, Nathaniel Mackey, and Daphne Brooks, among others, can remake aspects of musicological thinking about voice.

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来源期刊

Representations Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture