{"title":"同情怪物:理解《Stesichorus’Geryoneis》中的殖民","authors":"C. Franzen","doi":"10.1400/122875","DOIUrl":null,"url":null,"abstract":"Stesichorus' Geryoneis helps make sense out of the violent, disorienting act of col onization and establishes a collective cultural memory that is both distinct from and loyal to Greek convention. The poet creates a civic literature and identity for Himera in song, while using references to Greek literary convention, namely, the Iliad, erotic motifs and violent marriage imagery. 1 Carson, op. cit. 65. This content downloaded from 207.46.13.122 on Wed, 18 May 2016 05:28:31 UTC All use subject to http://about.jstor.org/terms","PeriodicalId":42434,"journal":{"name":"QUADERNI URBINATI DI CULTURA CLASSICA","volume":"92 1","pages":"1000-1018"},"PeriodicalIF":0.1000,"publicationDate":"2009-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"20","resultStr":"{\"title\":\"Sympathizing with the Monster: making Sense of Colonization in Stesichorus´ Geryoneis\",\"authors\":\"C. Franzen\",\"doi\":\"10.1400/122875\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Stesichorus' Geryoneis helps make sense out of the violent, disorienting act of col onization and establishes a collective cultural memory that is both distinct from and loyal to Greek convention. The poet creates a civic literature and identity for Himera in song, while using references to Greek literary convention, namely, the Iliad, erotic motifs and violent marriage imagery. 1 Carson, op. cit. 65. This content downloaded from 207.46.13.122 on Wed, 18 May 2016 05:28:31 UTC All use subject to http://about.jstor.org/terms\",\"PeriodicalId\":42434,\"journal\":{\"name\":\"QUADERNI URBINATI DI CULTURA CLASSICA\",\"volume\":\"92 1\",\"pages\":\"1000-1018\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2009-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"20\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"QUADERNI URBINATI DI CULTURA CLASSICA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1400/122875\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"QUADERNI URBINATI DI CULTURA CLASSICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1400/122875","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
Sympathizing with the Monster: making Sense of Colonization in Stesichorus´ Geryoneis
Stesichorus' Geryoneis helps make sense out of the violent, disorienting act of col onization and establishes a collective cultural memory that is both distinct from and loyal to Greek convention. The poet creates a civic literature and identity for Himera in song, while using references to Greek literary convention, namely, the Iliad, erotic motifs and violent marriage imagery. 1 Carson, op. cit. 65. This content downloaded from 207.46.13.122 on Wed, 18 May 2016 05:28:31 UTC All use subject to http://about.jstor.org/terms