器乐训练的动机策略

IF 0.3 0 MUSIC
Silvia Tripiana Muñoz
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引用次数: 1

摘要

从先验上看,动机策略的使用似乎不适用于像学习乐器这样的职业。然而,多年的学术发展与寻求个人学习的自主性有关,这伴随着表演者的一生,指出有必要评估动机在这些类型的教学中所起的作用。本文强调音乐学生需要适当的自我激励反应和目标。同时,提出了各种策略,以帮助教师准备和发展器乐课程,以及其他与学生实现个人实践有关的主题。所有这些策略都是从最近的通识教育学习动机、建立相关关系及其在器乐实践领域的可能应用的角度出发的。总之,这篇文章是基于这样一种观点,即一个积极的学生将获得更大的音乐成就,这将导致更高质量的专业表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Motivational Strategies for Instrumental Training
A priori it seems that the use of motivational strategies is not applicable to something so vocational as the learning of a musical instrument. However, the many years of academic development linked to the search for autonomy in individual study, which accompanies the performer for life, point to the need to assess the role played by motivation in these types of teaching. This article emphasizes that music students require responses and objectives for adequate self-motivation. At the same time, various strategies are presented that can assist teachers in the preparation and development of the instrumental class as well as other topics that concern students in the realization of their individual practice. All of the strategies have been taken from recent perspectives on motivation towards learning in general education, establishing relevant relations and their possible application in the field of instrumental practice. In conclusion, the article is based on the idea that a motivated student will reach greater musical achievements which will result in professional performance of greater quality.
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