音乐课堂评估:内在挑战与PISA问题

IF 0.3 0 MUSIC
Smaragda Chrystosomou
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引用次数: 4

摘要

评估和评价是教与学的内在联系。同时,在评估和评价的概念中,固有的目标是改进某些东西,而不仅仅是理解它。艺术课堂中的评价和评估是有争议的,经常讨论与艺术教育中“如何”和“什么”评估相关的问题,导致激烈的哲学辩论。评估和评价问题在音乐教育中的重要性和模糊性促使笔者探讨了希腊音乐教师(未来和在职)的观点。这里展示的一项小规模调查的结果揭示了一种模式,反映了世界各地关于音乐教育评估问题的一般性讨论。在本文的最后一部分,国际学生评估项目(PISA)在有效性和同质性问题所产生的光芒下进行了讨论。此外,还考虑了艺术在这样一个机构中的作用和适用性以及这些工具的使用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assessment in the music classroom: Inherent challenges and the PISA problematic
Assessment and evaluation is inherent in teaching and learning. At the same time, innate in the notion of assessment and evaluation is the goal to improve something and not simply to understand it. Evaluation and assessment in the arts’ classrooms is controversial and often discussions on issues related to the ‘how’ and the ‘what’ of assessment in arts education, lead to heated philosophical debates. The importance and ambiguity of the issue of assessment and evaluation in music education has led this writer to explore the views of Greek music teachers (future and in-service). The results of a small scale inquiry that are presented here, revealed a pattern that mirrored the general discussion on issues from around the world in relation to assessment in music education. In the last part of this paper The Program for International Student Assessment (PISA) is discussed under the light that is shed by issues of validity and homogeneity that have occurred. Also, the role and suitability of the arts within such an institution and with the use of such tools is considered.
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