民族音乐学与音乐教育:了解音乐、教育与文化的十字路口

IF 0.3 0 MUSIC
P. Campbell
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引用次数: 11

摘要

民族音乐学理论和方法对音乐教育的学术和实践方面的影响将在这里被考虑,以及音乐教育对民族音乐学家的学术和教学的影响的性质。对书籍、专著、期刊文章、教学材料和会议记录的审查正在进行中,以确定重叠兴趣的想法和实践。约翰·布莱克、查尔斯·凯尔、布鲁诺·奈特、蒂姆·赖斯、西格斯和洛马克斯等人的著作都是与音乐教育学术相关的学者,共同感兴趣的问题正在出现:音乐认知的跨文化视角、身心和音乐舞蹈二元性、儿童音乐文化、世界音乐教学法,以及音乐研究、音乐思想和音乐行为的研究方法。在描述了每个领域对另一个领域的实际影响之后,讨论将转向各个领域相互学习的潜力,并在社会和学校中构建对音乐的更深层次的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture
The influences of ethnomusicological theory and method on scholarly and practical aspects of music education will be considered here, as well as the nature of music education's impact on the scholarship and teaching by ethnomusicologists. An examination of books, monographs, journal articles, instructional materials, and conference proceedings is underway to determine ideas and practices of overlapping interest. The writings of John Blacking, Charles Keil, Bruno Nettl, Tim Rice, and the Seegers and the Lomaxes are among those scholars whose work is relevant to music education scholarship, and issues of mutual interest are emerging: cross-cultural perspectives of music cognition, the mind-body and music-dance dualities, children's music culture, the pedagogy of world music, and research approaches to the study of music, musical thought, and musical behavior. Following a description of the actual influences by each field on the other, discussion will shift to the potential of the fields to learn from one another and to construct deeper understandings of music in society and its schools.
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