呼吸练习的有效性和有效性,以减少音乐课堂上的怯场

IF 0.3 0 MUSIC
P. Ramos
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引用次数: 3

摘要

本文回顾了与音乐表演有关的怯场领域最相关的文献,包括成年和童年时期的怯场。它还介绍了在学校分析这一个性特征的研究结果,并强调了导致怯场的原因,例如:父母和其他学生面前的压力,完美主义,以及对压力的抵抗力低。另一方面,本文将怯场的发展与自尊的丧失联系起来,这在很大程度上影响了儿童的教育。为了应对这种焦虑,我们讨论了可能在课堂上实施的治疗方法。呼吸技术是最重要的策略,因为它们的效率和应用的容易。最后,建立了十诫,作为对抗表演焦虑的行动指南,通才和音乐教师可以在学校第一次演出之前考虑到这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Validity and Efficiency of Breath Exercises to reduce stage fright at the music classroom
This paper reviews the most relevant literature in the field of stage fright associated with musical performance, both in adulthood as in childhood. It also presents the findings of studies that have analyzed this feature of personality at schools and highlights the reasons causing stage fright, such as: pressure in presence of parents and other students, perfectionism, and low resistance to stress. On the other hand, this paper relates the development of stage fright with the loss of self-esteem, which affects child's education at large. Potential therapies that could be implemented in the classroom are discussed in order to cope with this anxiety. Breath techniques are the most important strategies because of their efficiency and ease of application. Finally, a Decalogue is established as a guide for action to combat performance anxiety which generalist and music teachers could take into account ahead of a first play at schools.
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