{"title":"博物馆、殖民地和星球:帝国想象的领土","authors":"A. Appadurai","doi":"10.1215/08992363-8742232","DOIUrl":null,"url":null,"abstract":"The primary argument of this essay is that the modern Western museum form is a critical site in which to understand the five centuries in which Europe dominated much of the rest of the world. In this imperial epoch, the world was shrunk to the museum and the museum was expanded to represent the colonized world, and nonhuman objects and human subjects were trafficked in connected ways. Now that we may be entering a planetary epoch, and the beginning of the end of globalization, there is an opportunity to build a new way to collect, curate, display, and circulate material forms outside the empire of the modernist museum.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":"33 1","pages":"115-128"},"PeriodicalIF":1.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Museum, the Colony, and the Planet: Territories of the Imperial Imagination\",\"authors\":\"A. Appadurai\",\"doi\":\"10.1215/08992363-8742232\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The primary argument of this essay is that the modern Western museum form is a critical site in which to understand the five centuries in which Europe dominated much of the rest of the world. In this imperial epoch, the world was shrunk to the museum and the museum was expanded to represent the colonized world, and nonhuman objects and human subjects were trafficked in connected ways. Now that we may be entering a planetary epoch, and the beginning of the end of globalization, there is an opportunity to build a new way to collect, curate, display, and circulate material forms outside the empire of the modernist museum.\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":\"33 1\",\"pages\":\"115-128\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-8742232\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-8742232","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
The Museum, the Colony, and the Planet: Territories of the Imperial Imagination
The primary argument of this essay is that the modern Western museum form is a critical site in which to understand the five centuries in which Europe dominated much of the rest of the world. In this imperial epoch, the world was shrunk to the museum and the museum was expanded to represent the colonized world, and nonhuman objects and human subjects were trafficked in connected ways. Now that we may be entering a planetary epoch, and the beginning of the end of globalization, there is an opportunity to build a new way to collect, curate, display, and circulate material forms outside the empire of the modernist museum.
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.