{"title":"从工艺到艺术","authors":"Edward R. Kealy","doi":"10.1177/009392857961001","DOIUrl":null,"url":null,"abstract":"The paper studies popular music as a production process and delineates the varieties of its social organization. It explores the problems endemic to the collaborative nature of the production process and examines in detail the job experiences of one collaborator in particular, the sound mixer, during a period when craft activities were being transformed into artistic activities.","PeriodicalId":85554,"journal":{"name":"Sociology of work and occupations","volume":"6 1","pages":"29 - 3"},"PeriodicalIF":0.0000,"publicationDate":"1979-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/009392857961001","citationCount":"97","resultStr":"{\"title\":\"From Craft to Art\",\"authors\":\"Edward R. Kealy\",\"doi\":\"10.1177/009392857961001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper studies popular music as a production process and delineates the varieties of its social organization. It explores the problems endemic to the collaborative nature of the production process and examines in detail the job experiences of one collaborator in particular, the sound mixer, during a period when craft activities were being transformed into artistic activities.\",\"PeriodicalId\":85554,\"journal\":{\"name\":\"Sociology of work and occupations\",\"volume\":\"6 1\",\"pages\":\"29 - 3\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1979-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1177/009392857961001\",\"citationCount\":\"97\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sociology of work and occupations\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/009392857961001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sociology of work and occupations","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/009392857961001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The paper studies popular music as a production process and delineates the varieties of its social organization. It explores the problems endemic to the collaborative nature of the production process and examines in detail the job experiences of one collaborator in particular, the sound mixer, during a period when craft activities were being transformed into artistic activities.
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