欧里庇得斯《海伦》的戏仿(164-90)

IF 0.2 3区历史学 Q1 Arts and Humanities

CLASSICAL QUARTERLY Pub Date : 1990-05-01 DOI:10.1163/EJ.9789004182813.I-862.31

C. Willink

{"title":"欧里庇得斯《海伦》的戏仿(164-90)","authors":"C. Willink","doi":"10.1163/EJ.9789004182813.I-862.31","DOIUrl":null,"url":null,"abstract":"The friendly expatriate ladies of the chorus in Helen enter having heard loud lamentation issuing from the palace. The chapter shows that Parodos has an incorrect, though not irrational, colometry which features several iambic metra beginning with long anceps. The blasphemous paradox of using παιάν in reference to a dirge is quite frequent in tragedy, but it was still a paradox of the kind that Euripides habitually developed with a negating adjective. The assumption of a (distressed) νύμφη is more immediately justified by the following simile like a fugitive Naiad (nymph) . Euripides is wittily playing on different senses of νύμφη in a highly sophisticated comparison. Keywords: Euripides; extant tragedy; Helen ; Parodos","PeriodicalId":47185,"journal":{"name":"CLASSICAL QUARTERLY","volume":"89 1","pages":"169-201"},"PeriodicalIF":0.2000,"publicationDate":"1990-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"17","resultStr":"{\"title\":\"The Parodos of Euripides' Helen (164–90)\",\"authors\":\"C. Willink\",\"doi\":\"10.1163/EJ.9789004182813.I-862.31\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The friendly expatriate ladies of the chorus in Helen enter having heard loud lamentation issuing from the palace. The chapter shows that Parodos has an incorrect, though not irrational, colometry which features several iambic metra beginning with long anceps. The blasphemous paradox of using παιάν in reference to a dirge is quite frequent in tragedy, but it was still a paradox of the kind that Euripides habitually developed with a negating adjective. The assumption of a (distressed) νύμφη is more immediately justified by the following simile like a fugitive Naiad (nymph) . Euripides is wittily playing on different senses of νύμφη in a highly sophisticated comparison. Keywords: Euripides; extant tragedy; Helen ; Parodos\",\"PeriodicalId\":47185,\"journal\":{\"name\":\"CLASSICAL QUARTERLY\",\"volume\":\"89 1\",\"pages\":\"169-201\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"1990-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"17\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CLASSICAL QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/EJ.9789004182813.I-862.31\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CLASSICAL QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/EJ.9789004182813.I-862.31","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 17

摘要

《海伦》合唱队中友好的外籍女士们听到宫殿里传出的哀嚎声后进来了。这一章表明，帕洛多斯有一个不正确的，虽然不是不合理的，色度，它的特点是几个抑扬格的格，以长角开始。用παι ν来指称挽歌，这种亵渎神灵的悖论在悲剧中是很常见的，但这仍然是欧里庇德斯惯于用否定形容词所提出的那种悖论。一个(痛苦的)ν μφη的假设更直接地被下面的比喻所证明，就像一个逃亡的仙女。欧里庇得斯在一个高度复杂的比较中巧妙地运用了ν φη的不同含义。关键词:欧里庇得斯;现存的悲剧;海伦;合唱队登场

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The Parodos of Euripides' Helen (164–90)

The friendly expatriate ladies of the chorus in Helen enter having heard loud lamentation issuing from the palace. The chapter shows that Parodos has an incorrect, though not irrational, colometry which features several iambic metra beginning with long anceps. The blasphemous paradox of using παιάν in reference to a dirge is quite frequent in tragedy, but it was still a paradox of the kind that Euripides habitually developed with a negating adjective. The assumption of a (distressed) νύμφη is more immediately justified by the following simile like a fugitive Naiad (nymph) . Euripides is wittily playing on different senses of νύμφη in a highly sophisticated comparison. Keywords: Euripides; extant tragedy; Helen ; Parodos

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

CLASSICAL QUARTERLY CLASSICS-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Classical Quarterly has a reputation for publishing the highest quality classical scholarship for nearly 100 years. It publishes research papers and short notes in the fields of language, literature, history and philosophy. Two substantial issues (around 300 pages each) of The Classical Quarterly appear each year, in May and December. Given the quality and depth of the articles published in The Classical Quarterly, any serious classical library needs to have a copy on its shelves. Published for the The Classical Association