{"title":"阈限奢华:化妆服装价值的确立","authors":"Ben Wild","doi":"10.1080/20511817.2020.1818948","DOIUrl":null,"url":null,"abstract":"Abstract The study and contextualisation of one early twentieth-century fancy dress costume from The John Bright Collection, London, provides an opportunity to challenge the socialised assumption that fancy dress costume is a short-lived, skill-less and superficial spectacle. Like many examples of this sartorial form, the Good Luck dress examined here shares characteristics with clothing termed, with little hesitation, luxury.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2020.1818948","citationCount":"0","resultStr":"{\"title\":\"Liminal Luxury: Establishing the Value of Fancy Dress Costume\",\"authors\":\"Ben Wild\",\"doi\":\"10.1080/20511817.2020.1818948\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The study and contextualisation of one early twentieth-century fancy dress costume from The John Bright Collection, London, provides an opportunity to challenge the socialised assumption that fancy dress costume is a short-lived, skill-less and superficial spectacle. Like many examples of this sartorial form, the Good Luck dress examined here shares characteristics with clothing termed, with little hesitation, luxury.\",\"PeriodicalId\":55901,\"journal\":{\"name\":\"Luxury-History Culture Consumption\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2019-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20511817.2020.1818948\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Luxury-History Culture Consumption\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20511817.2020.1818948\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Luxury-History Culture Consumption","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20511817.2020.1818948","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Liminal Luxury: Establishing the Value of Fancy Dress Costume
Abstract The study and contextualisation of one early twentieth-century fancy dress costume from The John Bright Collection, London, provides an opportunity to challenge the socialised assumption that fancy dress costume is a short-lived, skill-less and superficial spectacle. Like many examples of this sartorial form, the Good Luck dress examined here shares characteristics with clothing termed, with little hesitation, luxury.
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