没有地方比得上家

J. Stern
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引用次数: 0

摘要

本文通过电影《绿野仙踪》、荷马史诗《奥德赛》和塞缪尔·贝克特的戏剧《等待戈多》这三部艺术作品来讨论家的感觉。对多萝西来说,家是她在发展危机时刻自我意识状态的隐喻。对奥德修斯来说,家是一个非常真实的地方,对他作为希腊战士、丈夫、父亲、儿子和国王的身份至关重要。对于《等待戈多》中无家可归的流浪汉爱斯特拉冈和弗拉基米尔来说,家是一个几乎不可想象的概念,然而,家的意义在他们对彼此的意义中一直存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
No Place Like Home
This article discusses feeling at home through the lens of three works of art: the film The Wizard of Oz, Homer’s epic poem, The Odyssey, and Samuel Beckett’s play Waiting for Godot. For Dorothy home is a metaphor for the state of her sense of self at a moment of developmental crisis. For Odysseus home is a very real place and utterly crucial to his identity as a Greek warrior, husband, father, son, and king. For Estragon and Vladimir, the homeless tramps of Waiting for Godot, home is a concept all but unthinkable, and yet an idea of what home might mean persists in what the two mean to one another.
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