卡洛斯·v·弗朗西斯科的《菲律宾医学的进步:重新协商保护的决定和合作》

Q2 Arts and Humanities
Jeremy R. Barns, A. Labrador
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引用次数: 3

摘要

《菲律宾医学的进步》由菲律宾国家艺术家卡洛斯·弗朗西斯科于1953年创作的四幅布面油画组成,这些油画是为马尼拉菲律宾总医院的正门大厅委托创作的。医院的入口大厅直接面向室外环境。由于空气污染和行人穿过医院,再加上白蚁侵扰和轻微的破坏事件,这些画作开始出现严重恶化的迹象,因此在1974年进行了修复,然后在1991年和2006年再次进行了修复。然而,这些画的状况继续恶化。这产生了将原画转移到菲律宾国家博物馆的一个特别画廊的想法,以换取高质量的复制品,这些复制品将取代它们在医院入口处的位置。这样的倡议在菲律宾是前所未有的,但由于所有利益相关者都认为这些画非常重要,所以才有可能实现。本文描述了一个大型保护项目的合作方法如何使菲律宾国家博物馆的保护部门得到更多的认可和支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Carlos V. Francisco's The Progress of Medicine in the Philippines: Renegotiating decisions and collaborations in conservation
The Progress of Medicine in the Philippines comprises of four oil paintings on canvas executed by Philippine National Artist Carlos V. Francisco in 1953, which were commissioned for the main entrance hall of the Philippine General Hospital in Manila. The Hospital's entrance hall opens directly onto the outdoor environment. With air pollution and pedestrian traffic through the hospital, combined with termite infestation and minor incidents of vandalism, the paintings began to exhibit signs of severe deterioration, such that restoration was performed in 1974, then again in 1991 and in 2006. Nevertheless, the condition of the paintings continued to worsen. This gave rise to the idea of transferring the original paintings to a special gallery of the National Museum of the Philippines, in exchange for high-quality reproductions that would take their place at the hospital entrance. Such an initiative would be unprecedented in the Philippines, but was made possible by the shared recognition of all stakeholders that the paintings were highly significant. This paper describes how a collaborative approach to a large-scale conservation project has led to increased recognition of and support for the conservation department at the National Museum of the Philippines.
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来源期刊
AICCM Bulletin
AICCM Bulletin Arts and Humanities-Museology
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