{"title":"回顾过去的冲突","authors":"E. De Angelis","doi":"10.1080/03071847.2015.1079073","DOIUrl":null,"url":null,"abstract":"Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.","PeriodicalId":51795,"journal":{"name":"RUSI Journal","volume":"160 1","pages":"72 - 75"},"PeriodicalIF":0.7000,"publicationDate":"2015-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03071847.2015.1079073","citationCount":"0","resultStr":"{\"title\":\"A Window on Past Conflict\",\"authors\":\"E. De Angelis\",\"doi\":\"10.1080/03071847.2015.1079073\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.\",\"PeriodicalId\":51795,\"journal\":{\"name\":\"RUSI Journal\",\"volume\":\"160 1\",\"pages\":\"72 - 75\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2015-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/03071847.2015.1079073\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSI Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03071847.2015.1079073\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"POLITICAL SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSI Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03071847.2015.1079073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"POLITICAL SCIENCE","Score":null,"Total":0}
Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.
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