回顾过去的冲突

Pub Date : 2015-07-04 DOI:10.1080/03071847.2015.1079073

E. De Angelis

{"title":"回顾过去的冲突","authors":"E. De Angelis","doi":"10.1080/03071847.2015.1079073","DOIUrl":null,"url":null,"abstract":"Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03071847.2015.1079073","citationCount":"0","resultStr":"{\"title\":\"A Window on Past Conflict\",\"authors\":\"E. De Angelis\",\"doi\":\"10.1080/03071847.2015.1079073\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2015-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/03071847.2015.1079073\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03071847.2015.1079073\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03071847.2015.1079073","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

艾玛·德·安杰利斯分析了泰特英国美术馆“战斗历史”展览中展出的画作，思考了历史绘画是否能进一步加深我们对战争的理解，尤其是在当今世界。历史绘画中时间和空间的视觉融合等手段可以促进对冲突的新视角和反思，并引发一种与以往和现在的任何战争学术分析都大不相同的情感反应。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

A Window on Past Conflict

Analysing paintings presented by Tate Britain's exhibition Fighting History, Emma De Angelis considers whether history painting can further our understanding of war, especially in today's world. Devices such as the visual fusion of time and space in history painting can facilitate new perspectives and reflections on conflict, and provoke an affective reaction that differs greatly from any scholarly analysis of war past and present.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助