{"title":"《看不见的战争","authors":"E. De Angelis","doi":"10.1080/03071847.2015.1124627","DOIUrl":null,"url":null,"abstract":"Trevor Paglen, whose work The Octopus was recently shortlisted for the Deutsche Börse Photography Foundation Prize 2016, is a multidisciplinary artist who focuses on surveillance and intelligence activities – what he terms the ‘invisible war’. As well as his solo work, he collaborated with Laura Poitras in the making of Citizenfour, the award-winning 2014 documentary film about Edward Snowden. Other recent projects include Code Names of the Surveillance State, a video installation in which National Security Agency and GCHQ surveillance-programme code names were projected onto public buildings, and Trinity Cube in the Fukushima Exclusion Zone. In this interview, he reflects on some of the questions with which he grapples in his work, from the nature of contemporary warfare to the tension between privacy and surveillance, and the role of the artist in understanding war in contemporary society.","PeriodicalId":51795,"journal":{"name":"RUSI Journal","volume":"160 1","pages":"78 - 83"},"PeriodicalIF":0.7000,"publicationDate":"2015-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/03071847.2015.1124627","citationCount":"0","resultStr":"{\"title\":\"Images Of The Invisible War\",\"authors\":\"E. De Angelis\",\"doi\":\"10.1080/03071847.2015.1124627\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Trevor Paglen, whose work The Octopus was recently shortlisted for the Deutsche Börse Photography Foundation Prize 2016, is a multidisciplinary artist who focuses on surveillance and intelligence activities – what he terms the ‘invisible war’. As well as his solo work, he collaborated with Laura Poitras in the making of Citizenfour, the award-winning 2014 documentary film about Edward Snowden. Other recent projects include Code Names of the Surveillance State, a video installation in which National Security Agency and GCHQ surveillance-programme code names were projected onto public buildings, and Trinity Cube in the Fukushima Exclusion Zone. In this interview, he reflects on some of the questions with which he grapples in his work, from the nature of contemporary warfare to the tension between privacy and surveillance, and the role of the artist in understanding war in contemporary society.\",\"PeriodicalId\":51795,\"journal\":{\"name\":\"RUSI Journal\",\"volume\":\"160 1\",\"pages\":\"78 - 83\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2015-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/03071847.2015.1124627\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSI Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03071847.2015.1124627\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"POLITICAL SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSI Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03071847.2015.1124627","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"POLITICAL SCIENCE","Score":null,"Total":0}
引用次数: 0
摘要
特雷弗·帕格伦的作品《章鱼》最近入围了2016年德意志Börse摄影基金会奖。他是一位多学科艺术家,专注于监视和情报活动——他称之为“看不见的战争”。除了个人作品,他还与劳拉·波伊特拉斯(Laura Poitras)合作拍摄了2014年获奖的关于爱德华·斯诺登(Edward Snowden)的纪录片《第四公民》(Citizenfour)。最近的其他项目还包括“监控国家代号”(Code Names of the Surveillance State),这是一种将国家安全局(National Security Agency)和政府通信总部(GCHQ)监控项目的代号投射到公共建筑上的视频装置,以及福岛禁区的“三一立方”(Trinity Cube)。在这次采访中,他反思了他在作品中努力解决的一些问题,从当代战争的本质到隐私与监视之间的紧张关系,以及艺术家在理解当代社会战争中的角色。
Trevor Paglen, whose work The Octopus was recently shortlisted for the Deutsche Börse Photography Foundation Prize 2016, is a multidisciplinary artist who focuses on surveillance and intelligence activities – what he terms the ‘invisible war’. As well as his solo work, he collaborated with Laura Poitras in the making of Citizenfour, the award-winning 2014 documentary film about Edward Snowden. Other recent projects include Code Names of the Surveillance State, a video installation in which National Security Agency and GCHQ surveillance-programme code names were projected onto public buildings, and Trinity Cube in the Fukushima Exclusion Zone. In this interview, he reflects on some of the questions with which he grapples in his work, from the nature of contemporary warfare to the tension between privacy and surveillance, and the role of the artist in understanding war in contemporary society.