殖民时期韩国的维多利亚人性,亚洲人不认为自己是他者

IF 0.1 3区 文学 0 LITERATURE
Ji Eun Lee
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引用次数: 0

摘要

本文以殖民时期的朝鲜为例,重新审视了英美维多利亚时代研究中把非白种人视为他者的种族等级制度。在朝鲜,殖民者和被殖民者都是有色人种。在殖民时期的韩国,阅读维多利亚时代和爱德华时代的文学,让韩国人找到了超越日本帝国主义现代性的另一种人性。我简要回顾一下,在殖民时期的韩国,亚洲评论家是如何阅读塞缪尔·斯迈尔斯的《自助》和托马斯·哈代的《德伯家的苔丝》的。我认为他们的发现包括人类作为一个自由的、自主的自我和环境主体的观点,这两者都挑战了日本强加的现代公民权,即“黄国信民”(hwang- kuk -shin-min)。我认为,这种从地域角度对维多利亚文学的回应,不受种族或帝国二元等级的影响,表明我们作为当代维多利亚主义者(位于全球各地)考虑“跨帝国”的团结,以探索与我们直接的国家社区之外的其他人的联系,而不考虑种族差异。它还敦促我们在阅读中提倡“行星性”,以拥抱任性的错位,接受异质的地域,反对同质化的全球化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Victorian Humanity in Colonial Korea, Where Asians Did Not See Themselves as the Other
This article reconsiders the racial hierarchies rendering the nonwhite race as the Other in Anglo-American Victorian studies by examining the case of colonial Korea, where both the colonizer and the colonized were people of color. In colonial Korea, reading Victorian and Edwardian literature enabled Koreans to find an alternative humanity beyond the imperial Japanese modernity that stigmatized them. I briefly review how Asian critics located in colonial Korea read Samuel Smiles's Self-Help and Thomas Hardy's Tess of the d'Urbervilles. I suggest that their findings included the idea of humanity as a liberal, autonomous self and an environmental subject, both of which challenge the Japanese imposition of modern citizenship named as hwang-gook-shin-min (皇國臣民). I argue that such a response to Victorian literature from a locational perspective not affected by the hierarchical binaries of race or empire suggests that we as contemporary Victorianists (located around the globe) consider “transimperial” solidarity to explore a connection with others outside our immediate national community regardless of racial difference. It also urges us to promote “planetarity” in our reading to embrace willful dislocation accepting heterogeneous locationalities against homogenizing globalization.
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来源期刊
CiteScore
0.50
自引率
33.30%
发文量
24
期刊介绍: Victorian Literature and Culture encourages high quality original work concerned with all areas of Victorian literature and culture, including music and the fine arts. The journal presents work at the cutting edge of current research, including exciting new studies in untouched subjects or new methodologies. Contributions are welcomed from internationally established scholars as well as younger members of the profession. The Editors" topic for 2005 is "Fin-de-Siècle Women Poets". Review essays form a central part of the journal, and offer an authoritative view of important subjects together with a list of relevant works that serves as an up-to-date bibliography.
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