舞台下的世界:塞内加的《赫拉克勒斯·弗伦斯》中形而上学和元虚构的方面

IF 0.2 3区 历史学 Q1 Arts and Humanities
Marie Louise Von Glinski
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引用次数: 0

摘要

在关于塞内卡的文章中,T.S.艾略特以赫拉克勒斯·富伦斯(Hercules Furens)为例来说明“这种奇特的非戏剧戏剧”。尽管塞内加学者的研究基本上已经远离了他的控诉,但人们似乎把注意力从舞台上引开的感觉,表明了这部戏剧独特的戏剧技巧。这种反向方向最可靠的标志是大力神本人在剧中大部分时间的明显缺席。赫拉克勒斯(Hercules)永远“在别处”(或希望永远在别处)。他的进入被推迟了很长一段时间;一回到家,他唱了几句就冲下舞台去杀莱库斯。他回到舞台上,却被疯狂袭击,并再次被拉进宫殿杀死他的妻子和儿子。当他的疯狂消退时,他在舞台上睡着了;醒来后,他渴望一个地方超越已知的世界(和黑社会),最终退出流亡。本文对空间的符号学,尤其是舞台下的象征价值进行了更深入的探讨。塞内卡不断地把人们的注意力吸引到舞台边缘和看不见的舞台下,描绘出赫拉克勒斯与朱诺冲突的宇宙本质,并质疑这位英雄作为不朽父亲的儿子在世界上的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ALL THE WORLD'S OFFSTAGE: METAPHYSICAL AND METAFICTIONAL ASPECTS IN SENECA'S HERCVLES FVRENS *
In his essay on Seneca, T.S. Eliot used the Hercules Furens (= HF) as his example to illustrate ‘this curious freak of non-theatrical drama’. Even though Senecan scholarship has by and large moved away from his indictment, the sense that the attention seems to be directed away from the stage points to the play's unique dramaturgy. The surest indicator of this reverse orientation is the conspicuous absence of Hercules himself for much of the play. Hercules is (or wishes to be) permanently ‘elsewhere’. His entrance is delayed for a long time; once home, he rushes offstage after a few lines to kill Lycus. He returns onstage only to be attacked by madness, and is drawn inside the palace again to kill his wife and sons. When his madness abates, he falls asleep onstage; on waking, he longs for a place beyond the known world (and underworld) and finally exits into exile. This article proposes a closer examination of the semiotics of space, especially the symbolic value of the offstage. Seneca is constantly drawing attention to the pull towards the stage perimeter and the unseen offstage, characterizing the cosmic nature of Hercules’ conflict with Juno and questioning the hero's place in the world as the son of an immortal father.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: The Classical Quarterly has a reputation for publishing the highest quality classical scholarship for nearly 100 years. It publishes research papers and short notes in the fields of language, literature, history and philosophy. Two substantial issues (around 300 pages each) of The Classical Quarterly appear each year, in May and December. Given the quality and depth of the articles published in The Classical Quarterly, any serious classical library needs to have a copy on its shelves. Published for the The Classical Association
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