MousikÊ与奥秘:尼采式解读埃斯库罗斯的巴萨里德

IF 0.2 3区历史学 Q1 Arts and Humanities

CLASSICAL QUARTERLY Pub Date : 2015-10-01 DOI:10.1017/S0009838815000154

Sarah Burges Watson

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引用次数: 2

摘要

在《悲剧的诞生》第12章，尼采将苏格拉底描述为新的俄耳甫斯，他奋起反抗酒神，谋杀悲剧:……欧里庇得斯与苏格拉底结盟，敢于成为一种新的艺术创作的先驱。如果这导致了旧悲剧的灭亡，那么美学苏格拉底主义就是杀人的原则;但是，就苏格拉底与旧艺术的酒神本性的斗争而言，我们可以把他看作是酒神的对手，看作是奋起反抗酒神的新俄耳甫斯，他虽然注定要被雅典法庭上的女侍们撕成两半，但却迫使这位伟大的神自己逃走了。和以前一样，当他逃离伊多尼亚国王莱库格斯时，狄奥尼索斯现在在深海中寻求庇护，也就是在一个逐渐传遍全世界的秘密崇拜的神秘水域中。(反式。R. Speirs)(剑桥，1999)，64

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MOUSIKÊ AND MYSTERIES: A NIETZSCHEAN READING OF AESCHYLUS’ BASSARIDES

In chapter 12 of Birth of Tragedy, Nietzsche describes Socrates as the new Orpheus, who rises up against Dionysus and murders tragedy: … in league with Socrates, Euripides dared to be the herald of a new kind of artistic creation. If this caused the older tragedy to perish, then aesthetic Socratism is the murderous principle; but in so far as the fight was directed against the Dionysiac nature of the older art, we may identify Socrates as the opponent of Dionysos, the new Orpheus who rises up against Dionysos and who, although fated to be torn apart by the maenads of the Athenian court of justice, nevertheless forces the great and mighty god himself to flee. As before, when he fled from Lycurgus, King of the Edonians, Dionysos now sought refuge in the depths of the sea, namely in the mystical waters of a secret cult which gradually spread across the entire world. (Trans. R. Speirs) (Cambridge, 1999), 64

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CLASSICAL QUARTERLY CLASSICS-

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0.40

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期刊介绍： The Classical Quarterly has a reputation for publishing the highest quality classical scholarship for nearly 100 years. It publishes research papers and short notes in the fields of language, literature, history and philosophy. Two substantial issues (around 300 pages each) of The Classical Quarterly appear each year, in May and December. Given the quality and depth of the articles published in The Classical Quarterly, any serious classical library needs to have a copy on its shelves. Published for the The Classical Association