Dash Kasan;蒙古首都苏丹尼亚的一座帝国建筑

Amin Moradi
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引用次数: 0

摘要

Varāy(Viyar)村位于伊朗苏丹尼亚东南部的256q Dāgh山脚下,以其令人印象深刻的岩石切割建筑Dash Kasan而闻名。苏尔坦尼亚后来成为伊尔汗国(蒙古统治者)的首都,其历史始于阿根汗(公元1258–1291年)发布的一项命令,即建造一座由石墙和防御工事包围的巨大城市。根据该领域的许多人的说法,达世卡桑在阿贡建筑项目的发展中占据了突出的地位;先是用作采石场,后来又用作佛教寺院。这座建筑在建筑设计和装饰上是独一无二的。该遗址的两条从悬崖上雕刻而成的大型龙蛇,以及通过切割坚硬的岩石来开发广阔的开放空间,是伊朗艺术和建筑中唯一的此类例子。尽管迄今为止,关于该遗址身份的大多数争论都集中在蒙古时期的宗教功能上,但几乎没有建筑证据支持这一观点。因此,早期研究的性质和范围不足以证实围绕这座纪念碑的建筑论述。本文的目的是研究这个神秘的岩石切割复合体,以提供对当前遗迹的更详细描述。根据研究结果,这座建筑的建筑布局表明,它最初是作为伊尔汗王朝之前的蒙古礼仪大厅设计的,反映了中国和东亚建筑的影响,这种影响在整个蒙古领土上都很明显和普遍。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dash Kasan; an imperial architecture in the Mongol capital of Sultaniyya

The village of Varāy (Viyar) is located at the foot of Āq Dāgh Mountain in the southeast of Sultaniyya, Iran, and is known for its impressive rock-cut architecture called Dash Kasan. The history of Sultaniyya, which later became the Ilkhanid (Mongol rulers) capital, began with the issue of an order by Arghūn Khan (1258–1291 CE), to build a huge city enclosed by stone walls and fortifications. According to many in the field, Dash Kasan occupied a prominent place in the development of Arghūn’s architectural project; first as a stone quarry, and then as a Buddhist monastery. This building is unique in its architectural design and decoration. The site’s two large-scale dragon snakes carved out of cliffs, and the development of a vast open space by cutting the solid rock are the only examples of their kind in Iranian art and architecture. Although most of the debates on the identity of this site to date are centered on its religious function during the Mongol period, there is little architectural evidence to support this idea. Hence, the nature and the scope of earlier studies are not sufficient to substantiate the architectural discourse surrounding this monument. The aim of this paper is to study this enigmatic rock-cut complex to provide a more detailed description of the current remains. According to the results, the architectural layout of this building suggests it was originally designed as pre-Ilkhanid Mongolian ceremonial halls and reflects a Chinese, East Asian architectural influence that was evident and pervasive throughout the Mongol territories.

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