卡拉瓦乔的传说:乔瓦尼·巴格里奥内《画家、雕塑家和建筑师的生活》中的事实、虚构和权威

IF 1.8 1区 历史学 Q1 HISTORY
Frances Gage
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引用次数: 0

摘要

自1642年出版以来,乔瓦尼·巴格里奥内的《从1572年格里高利十三世到1642年教皇乌尔班八世的画家、雕塑家和建筑师的生活》一直被归类为要么基本是事实,要么明显有偏见,反映了近代早期罗马的诽谤文化。自从巴格里昂写下他的《生平》以来,关于构成文本“真理”的定义发生了巨大的变化,尽管这并没有充分的辩论。同样被忽视的是,巴格里奥内在多大程度上将他的整个修辞议程围绕着真理与非真理、谣言和观点的概念展开,这些概念在整个框架元素和艺术家个人的生活中都是中心主题。本文采用了一种新的方法来解决这些问题,重新评估了巴格里奥内关于谣言、名声和真相的中心主题,涉及到文本性和互文性、虚构和虚假信息、修辞和代理等问题,并在这样做时借鉴了最近对谣言、名声和新闻的文学和历史研究。同时,本研究考察了名誉和谣言的概念与当代口头、手稿和印刷文化的艺术批评实践的关系,并考虑到卡拉瓦乔和巴格里昂之间的竞争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects
Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.
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来源期刊
Past & Present
Past & Present Multiple-
CiteScore
2.80
自引率
5.60%
发文量
49
期刊介绍: Founded in 1952, Past & Present is widely acknowledged to be the liveliest and most stimulating historical journal in the English-speaking world. The journal offers: •A wide variety of scholarly and original articles on historical, social and cultural change in all parts of the world. •Four issues a year, each containing five or six major articles plus occasional debates and review essays. •Challenging work by young historians as well as seminal articles by internationally regarded scholars. •A range of articles that appeal to specialists and non-specialists, and communicate the results of the most recent historical research in a readable and lively form. •A forum for debate, encouraging productive controversy.
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