{"title":"卡拉瓦乔的传说:乔瓦尼·巴格里奥内《画家、雕塑家和建筑师的生活》中的事实、虚构和权威","authors":"Frances Gage","doi":"10.1093/pastj/gtac031","DOIUrl":null,"url":null,"abstract":"Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects\",\"authors\":\"Frances Gage\",\"doi\":\"10.1093/pastj/gtac031\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.\",\"PeriodicalId\":47870,\"journal\":{\"name\":\"Past & Present\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.8000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Past & Present\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1093/pastj/gtac031\",\"RegionNum\":1,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Past & Present","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1093/pastj/gtac031","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Caravaggio’s Rumore: Fact, Fiction and Authority in Giovanni Baglione’s Lives of the Painters, Sculptors and Architects
Since its publication in 1642, Giovanni Baglione’s Lives of the Painters, Sculptors and Architects from the Pontificate of Gregory XIII of 1572 until the times of Pope Urban VIII in 1642, has been classified as either largely factual or obviously biased, a reflection of the culture of slander in early modern Rome. Definitions of what constituted textual ‘truth’ have changed dramatically since Baglione wrote his Lives, though this has not adequately informed debate. Also overlooked is the degree to which Baglione staked his entire rhetorical agenda around notions of truth and untruth, rumour and opinion, which emerge as central themes throughout both the framing elements and the individual artists’ lives. The present article adopts a new methodological approach to these questions, reassessing Baglione’s central themes of rumour, fama and truth in relation to questions of textuality and intertextuality, fiction and disinformation, rhetoric and agency, and drawing upon recent literary and historical studies of rumour, fame and news when doing so. At the same time, this study investigates conceptions of fame and rumour in relation to contemporary practices of art criticism in oral, manuscript and print cultures and in light of the rivalry between Caravaggio and Baglione.
期刊介绍:
Founded in 1952, Past & Present is widely acknowledged to be the liveliest and most stimulating historical journal in the English-speaking world. The journal offers: •A wide variety of scholarly and original articles on historical, social and cultural change in all parts of the world. •Four issues a year, each containing five or six major articles plus occasional debates and review essays. •Challenging work by young historians as well as seminal articles by internationally regarded scholars. •A range of articles that appeal to specialists and non-specialists, and communicate the results of the most recent historical research in a readable and lively form. •A forum for debate, encouraging productive controversy.