{"title":"玛格丽特·德·纳瓦拉的《七小时》(1559)中的新奇、虚假和歧视与16世纪法国新闻文化","authors":"Emily Butterworth","doi":"10.1093/pastj/gtac033","DOIUrl":null,"url":null,"abstract":"This chapter explores the intersection between two different kinds of nouvelle: on the one hand, a piece of news; and on the other, a literary genre, the novella. Both senses were current in the early sixteenth century when Marguerite de Navarre, the sister of the French king François I, wrote the collection of novellas now known as the Heptameron. Developing its model, Boccaccio’s Decameron, the Heptameron includes an elaborate frame narrative in which the storytellers debate each story after they hear it. From these discussions, and the stories themselves, emerges a concern with the underlying principles of storytelling: truth, authority, witness and interpretation. These are concerns, this chapter argues, that were also current in sixteenth-century news culture, and in particular the short sensational news pamphlets that became popular during the religious wars of the second half of the century. The chapter examines the claims made in both the Heptameron and in news publications and argues that the Heptameron aspires to provide the analytical tools required to assess any account that claims to be truthful; an aspiration that anticipates later critiques of sensationalist and partisan news. It does this through a practice of discrimination, a careful parsing of a story and its underlying motivations.","PeriodicalId":47870,"journal":{"name":"Past & Present","volume":null,"pages":null},"PeriodicalIF":1.8000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Novelty, Disinformation and Discrimination in Marguerite de Navarre’s Heptameron (1559) and Sixteenth-Century French News Culture\",\"authors\":\"Emily Butterworth\",\"doi\":\"10.1093/pastj/gtac033\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the intersection between two different kinds of nouvelle: on the one hand, a piece of news; and on the other, a literary genre, the novella. Both senses were current in the early sixteenth century when Marguerite de Navarre, the sister of the French king François I, wrote the collection of novellas now known as the Heptameron. Developing its model, Boccaccio’s Decameron, the Heptameron includes an elaborate frame narrative in which the storytellers debate each story after they hear it. From these discussions, and the stories themselves, emerges a concern with the underlying principles of storytelling: truth, authority, witness and interpretation. These are concerns, this chapter argues, that were also current in sixteenth-century news culture, and in particular the short sensational news pamphlets that became popular during the religious wars of the second half of the century. The chapter examines the claims made in both the Heptameron and in news publications and argues that the Heptameron aspires to provide the analytical tools required to assess any account that claims to be truthful; an aspiration that anticipates later critiques of sensationalist and partisan news. It does this through a practice of discrimination, a careful parsing of a story and its underlying motivations.\",\"PeriodicalId\":47870,\"journal\":{\"name\":\"Past & Present\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.8000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Past & Present\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1093/pastj/gtac033\",\"RegionNum\":1,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Past & Present","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1093/pastj/gtac033","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Novelty, Disinformation and Discrimination in Marguerite de Navarre’s Heptameron (1559) and Sixteenth-Century French News Culture
This chapter explores the intersection between two different kinds of nouvelle: on the one hand, a piece of news; and on the other, a literary genre, the novella. Both senses were current in the early sixteenth century when Marguerite de Navarre, the sister of the French king François I, wrote the collection of novellas now known as the Heptameron. Developing its model, Boccaccio’s Decameron, the Heptameron includes an elaborate frame narrative in which the storytellers debate each story after they hear it. From these discussions, and the stories themselves, emerges a concern with the underlying principles of storytelling: truth, authority, witness and interpretation. These are concerns, this chapter argues, that were also current in sixteenth-century news culture, and in particular the short sensational news pamphlets that became popular during the religious wars of the second half of the century. The chapter examines the claims made in both the Heptameron and in news publications and argues that the Heptameron aspires to provide the analytical tools required to assess any account that claims to be truthful; an aspiration that anticipates later critiques of sensationalist and partisan news. It does this through a practice of discrimination, a careful parsing of a story and its underlying motivations.
期刊介绍:
Founded in 1952, Past & Present is widely acknowledged to be the liveliest and most stimulating historical journal in the English-speaking world. The journal offers: •A wide variety of scholarly and original articles on historical, social and cultural change in all parts of the world. •Four issues a year, each containing five or six major articles plus occasional debates and review essays. •Challenging work by young historians as well as seminal articles by internationally regarded scholars. •A range of articles that appeal to specialists and non-specialists, and communicate the results of the most recent historical research in a readable and lively form. •A forum for debate, encouraging productive controversy.