现代主义的神话:1918年后的奥地利艺术

IF 0.3 2区 艺术学 0 ART
Matthew Rampley
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引用次数: 0

摘要

1918年后奥地利艺术的发展至今仍很少被探索;研究的主要焦点仍然是维也纳。在研究两次世界大战之间的奥地利现代主义的地方,人们的兴趣大多局限于社会民主党委员会赞助的市政住房。本文主要关注的是研究这种不一致和相对忽视的原因。它探讨了奥地利战后现代主义的史学是如何被更广泛的历史假设所影响的,例如,关于第一次世界大战作为文化政治凯撒的作用,或者关于两次世界大战之间奥地利历史及其滑向法西斯主义的矛盾心理,或者先锋派的价值观。还将其与两次世界大战期间捷克斯洛伐克的艺术进行了比较,在那里,现代主义实践备受赞誉,因为它们在目前承担了捷克和斯洛伐克文化的合法化功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

Myths of Modernism: Austrian Art after 1918

Myths of Modernism: Austrian Art after 1918

The development of art in Austria after 1918 remains little explored; the main focus of research continues to be fin-de-siècle Vienna. Where interwar Austrian modernism is studied at all, interest is mostly limited to the municipal housing sponsored by the Social Democratic council. The main concern of this essay is to examine the reasons for this inconsistency and comparative neglect. It explores the ways in which the historiography of Austrian post-war modernism has been informed by wider historical assumptions, about the role of the First World War as a cultural-political caesura, for instance, or by ambivalence about interwar Austrian history and its slide into fascism, or valorization of the avant-garde. A comparison is also drawn with accounts of art in interwar Czechoslovakia, where modernist practices are much celebrated since they have assumed a legitimating function for Czech and Slovak culture in the present.

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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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