高、低和超越：秘鲁的大众艺术问题

IF 0.3 2区艺术学 0 ART

Art History Pub Date : 2023-03-15 DOI:10.1111/1467-8365.12708

Megan A. Sullivan

{"title":"高、低和超越：秘鲁的大众艺术问题","authors":"Megan A. Sullivan","doi":"10.1111/1467-8365.12708","DOIUrl":null,"url":null,"abstract":"This essay traces the emergence and development of the category of ‘popular art’ in Peru between the 1920s and the 1970s, and the relationship of that category to the formations of both modern and postmodern artistic practices in that country. Taking the awarding of the 1975 national prize of art to the retablista Joaquín López Antay as its fulcrum, it argues that this key event, which has been traditionally regarded as a watershed in the history of Peruvian art, was indeed the logical consequence of how indigenist painters framed the field of artistic production in Peru. It also analyses the simultaneous emergence of an alternative view of popular art that did away with notions of cultural authenticity and national representation.","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"High, Low, and Beyond: The Question of Popular Art in Peru\",\"authors\":\"Megan A. Sullivan\",\"doi\":\"10.1111/1467-8365.12708\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay traces the emergence and development of the category of ‘popular art’ in Peru between the 1920s and the 1970s, and the relationship of that category to the formations of both modern and postmodern artistic practices in that country. Taking the awarding of the 1975 national prize of art to the retablista Joaquín López Antay as its fulcrum, it argues that this key event, which has been traditionally regarded as a watershed in the history of Peruvian art, was indeed the logical consequence of how indigenist painters framed the field of artistic production in Peru. It also analyses the simultaneous emergence of an alternative view of popular art that did away with notions of cultural authenticity and national representation.\",\"PeriodicalId\":8456,\"journal\":{\"name\":\"Art History\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12708\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art History","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12708","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}

引用次数: 0

摘要

本文追溯了20世纪20年代至70年代秘鲁“流行艺术”类别的出现和发展，以及该类别与该国现代和后现代艺术实践形成的关系。以1975年国家艺术奖授予若阿金·洛佩斯·安泰（Joaquín López Antay）为支点，它认为这一传统上被视为秘鲁艺术史分水岭的关键事件，确实是土著画家如何构建秘鲁艺术生产领域的逻辑结果。它还分析了流行艺术的另一种观点的同时出现，这种观点摒弃了文化真实性和国家代表性的概念。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

High, Low, and Beyond: The Question of Popular Art in Peru

This essay traces the emergence and development of the category of ‘popular art’ in Peru between the 1920s and the 1970s, and the relationship of that category to the formations of both modern and postmodern artistic practices in that country. Taking the awarding of the 1975 national prize of art to the retablista Joaquín López Antay as its fulcrum, it argues that this key event, which has been traditionally regarded as a watershed in the history of Peruvian art, was indeed the logical consequence of how indigenist painters framed the field of artistic production in Peru. It also analyses the simultaneous emergence of an alternative view of popular art that did away with notions of cultural authenticity and national representation.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Art History ART-

CiteScore

0.70

自引率

20.00%

发文量

期刊介绍： Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.