作为社会化材料的经典玛雅雕像:来自危地马拉塞巴尔的证据

IF 2 1区 社会学 Q1 ANTHROPOLOGY
Jessica MacLellan , Daniela Triadan
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引用次数: 0

摘要

我们研究了来自危地马拉Ceibal的晚期和晚期经典(公元前600–950年)玛雅陶瓷雕像口哨,作为社会化的材料。这些雕像是模具制作的,代表了重复的人物,包括人类、动物和超自然生物。基于太平间和其他背景证据,我们认为它们被用于成人和儿童的家庭表演。雕像是日常用品,用于仪式化和非仪式化活动。他们被孩子们玩个不停。雕像哨子中的角色由成年人决定,告诉我们占主导地位的意识形态,包括性别和审美规范。作为社会化的推动者,儿童本可以围绕这些对象重新想象或颠覆叙事。然而,雕像的物质性限制了游戏,并塑造了持续了几个世纪的社会结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Classic Maya figurines as materials of socialization: Evidence from Ceibal, Guatemala

We examine Late and Terminal Classic (c. 600–950 CE) Maya ceramic figurine whistles from Ceibal, Guatemala, as materials of socialization. The figurines are mold-made and represent repeating characters, including humans, animals, and supernaturals. Based on mortuary and other contextual evidence, we argue that they were used for household performances among adults and children. Figurines were everyday objects, used in ritualized and nonritualized activities. They were played and played with by children. The cast of characters represented in the figurine whistles was determined by adults and tells us about dominant ideologies, including gender and beauty norms. As agents of socialization, children could have reimagined or subverted narratives around these objects. However, the materiality of the figurines limited play and shaped social structures that persisted for centuries.

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来源期刊
CiteScore
4.00
自引率
11.10%
发文量
64
期刊介绍: An innovative, international publication, the Journal of Anthropological Archaeology is devoted to the development of theory and, in a broad sense, methodology for the systematic and rigorous understanding of the organization, operation, and evolution of human societies. The discipline served by the journal is characterized by its goals and approach, not by geographical or temporal bounds. The data utilized or treated range from the earliest archaeological evidence for the emergence of human culture to historically documented societies and the contemporary observations of the ethnographer, ethnoarchaeologist, sociologist, or geographer. These subjects appear in the journal as examples of cultural organization, operation, and evolution, not as specific historical phenomena.
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