书评:女孩在学校中的身份和压迫经历:韧性、抵抗和转变

IF 2.5 2区 心理学 Q2 PSYCHOLOGY, MULTIDISCIPLINARY
Alexandria C. Onuoha, C. Mehta
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引用次数: 0

摘要

《异性恋的悲剧》发人深省,作家简·沃德努力应对异性规范做法的危害。尽管有明确的证据表明酷儿群体成员感到幸福和快乐(第5页),但沃德承认人们普遍接受的说法,即酷儿是“不理想的”。然而,沃德反驳道,正是那些符合异性恋文化的人受到了非规范性的最大伤害。尽管有些人可能认为这一说法有争议,但沃德有意不责怪个人,而是责怪强化非规范实践和文化的集体规范。该文本具有历史性和实证性,清楚地确定了支持每一种说法的数据和世界事件。在第二章中,沃德介绍并解释了厌女悖论一词。这种矛盾凸显了男孩和男人对女孩和女人的欲望和仇恨的纠缠。Ward认为,在种族、文化和民族认同中,这种悖论在很大程度上是存在的(第37页)。欲望和男子气概之间的反比关系也被描述,这表明当男孩或男子表达积极情绪时,他们对男子气概的感知程度会下降。就连20世纪初的研究人员也承认,男性和女性似乎对彼此感到厌恶,这引发了美化运动的兴起(第47页)。异性恋的表演本质在第三章中得到了进一步的阐述,迫使读者质疑异性恋文化中已经被接受的常态。正如沃德所说,“……当男性和女性为了异性恋表达兴趣、感激和联系,学会说和做他们实际上不想说或不想做的事情时,异性恋效果最好,无论他们是否喜欢”(第87页)。本章题为“拾荒者”,深入探讨了诱惑辅导的艺术,其主要目的是教会男性如何更好地理解、对待并最终增加与女性发生性关系的机会。这种投资很大程度上源于个人利益以及如何提高性伴侣的数量和质量。在第四章中,沃德认为异性恋是无聊的。她进一步指出,对非规范生活方式的顺从植根于对这种正常感的恐惧。在第5章中,她提出了解决方案,甚至声称男性可能会给自己的性取向贴上“女权主义者”和“非异性恋”的标签(第173页)。最终,沃德认为异性恋可以(也必须)被重新发现和恢复,而不是被抹去。沃德没有羞辱任何群体,包括异性恋男性,而是挑战并呼吁读者考虑真正的悲剧在哪里。对于女性和性别研究的学生和教职员工,以及对性别和性感兴趣的普通人来说,这本书将是一本很好的读物。沃德没有因为非规范文化的发展而羞辱任何一个群体,而是呼吁不同的观点,共同激励他人为自己和亲人争取一个更公平、更进步的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Book Review: Girls’ identities and experiences of oppression in schools: Resilience, resistance, and transformation
The Tragedy of Heterosexuality is thought-provoking, as author Jane Ward grapples with the harms of heteronormative practices. Despite clear evidence showing happiness and joy among members of the queer community (p. 5), Ward acknowledges the widely accepted narrative that queerness is “non-ideal.” Yet, Ward pushes back and argues that it is those who conform to straight culture that are the ones most harmed by heteronormativity. Although some may deem this claim controversial, Ward is intentional not to blame the individual but rather the collective norms that reinforce heteronormative practice and culture. The text is historical and empirical in nature, clearly identifying data and world events that support each claim. In Chapter 2, Ward introduces and explains the term misogyny paradox. This paradox highlights the entanglement of desire and hatred that boys and men often feel toward girls and women. Across racial, cultural, and ethnic identities, this paradox is largely alive, Ward argues (p. 37). The inverse relationship between desire and masculinity is also described, suggesting that as a boy or man expresses positive emotion, their perceived degree of masculinity declines. Even researchers in the early 20th century acknowledged the disgust that men and women seemed to feel toward one another, sparking the rise of the beautification movement (p. 47). The performative nature of heterosexuality is further addressed in Chapter 3, forcing readers to question the normalcy that has been accepted within straight culture. As Ward states, “... heterosexuality works best when men and women learn to say and do things that they don’t actually want to say or do, for the sake of heterosexualityto express interest, gratitude, and connection, whether they feel like it or not” (p. 87). This chapter, entitled “Pickup Artists,” delves into the art of seduction coaching, which holds a primary aim of teaching men how to better understand, treat, and ultimately increase their chances of having sex with women. Much of this investment is rooted in personal gain and how to increase the quantity and quality of sexual partners. In Chapter 4, Ward argues that heterosexuality is meant to be boring. She further suggests that conformity to heteronormative ways of life is rooted in a fear of pushing against this sense of normalcy. In Chapter 5, she offers solutions and even claims that men might label their sexuality as “feminist” and “not straight” (p. 173). Ultimately, Ward believes heterosexuality can (and must be) rediscovered and reclaimed as opposed to be erased. Rather than shaming any group of people, including heterosexual men, Ward challenges and calls upon readers to consider where the true tragedy lies. This book would be an excellent read for students and faculty of women’s and gender studies, as well as laypeople who are interested in gender and sexuality. Rather than shaming any one group for the development of heteronormative culture, Ward calls different perspectives and aims together to inspire others to fight for a more equitable and progressive future for themselves and their loved ones.
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来源期刊
CiteScore
6.10
自引率
5.00%
发文量
50
期刊介绍: Psychology of Women Quarterly (PWQ) is a feminist, scientific, peer-reviewed journal that publishes empirical research, critical reviews and theoretical articles that advance a field of inquiry, teaching briefs, and invited book reviews related to the psychology of women and gender. Topics include (but are not limited to) feminist approaches, methodologies, and critiques; violence against women; body image and objectification; sexism, stereotyping, and discrimination; intersectionality of gender with other social locations (such as age, ability status, class, ethnicity, race, and sexual orientation); international concerns; lifespan development and change; physical and mental well being; therapeutic interventions; sexuality; social activism; and career development. This journal will be of interest to clinicians, faculty, and researchers in all psychology disciplines, as well as those interested in the sociology of gender, women’s studies, interpersonal violence, ethnic and multicultural studies, social advocates, policy makers, and teacher education.
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