{"title":"“印度斯坦是一个梦想”:乌尔都语诗歌与亲密关系的政治神学","authors":"A. Taneja","doi":"10.1215/08992363-9435456","DOIUrl":null,"url":null,"abstract":"\n In a time of dominant Hindu nationalism and rising Islamophobia in India, Urdu poetry is the medium in which an alternative political theology finds popular articulation, questioning the “normative horizon” of the nation-state. The political theology being articulated through Urdu poetry is one that is concerned not with the state, but with the constitution of the self through a network of thick relations to locality. The vision articulated by this alternate political theology—which draws on both long-standing Indo-Islamic traditions and the lived experience of Indian democracy—calls for a radical reimagining of intimate relations as the basis of belonging and the forming of political community.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2022-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"“Hindustan Is a Dream”: Urdu Poetry and the Political Theology of Intimacy\",\"authors\":\"A. Taneja\",\"doi\":\"10.1215/08992363-9435456\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In a time of dominant Hindu nationalism and rising Islamophobia in India, Urdu poetry is the medium in which an alternative political theology finds popular articulation, questioning the “normative horizon” of the nation-state. The political theology being articulated through Urdu poetry is one that is concerned not with the state, but with the constitution of the self through a network of thick relations to locality. The vision articulated by this alternate political theology—which draws on both long-standing Indo-Islamic traditions and the lived experience of Indian democracy—calls for a radical reimagining of intimate relations as the basis of belonging and the forming of political community.\",\"PeriodicalId\":47901,\"journal\":{\"name\":\"Public Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-03-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Public Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/08992363-9435456\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9435456","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
“Hindustan Is a Dream”: Urdu Poetry and the Political Theology of Intimacy
In a time of dominant Hindu nationalism and rising Islamophobia in India, Urdu poetry is the medium in which an alternative political theology finds popular articulation, questioning the “normative horizon” of the nation-state. The political theology being articulated through Urdu poetry is one that is concerned not with the state, but with the constitution of the self through a network of thick relations to locality. The vision articulated by this alternate political theology—which draws on both long-standing Indo-Islamic traditions and the lived experience of Indian democracy—calls for a radical reimagining of intimate relations as the basis of belonging and the forming of political community.
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.