帕夫利·奥克兰斯基芭蕾舞团的服装

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Josée Chartrand
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引用次数: 0

摘要

这项研究探索了20世纪早期芝加哥Pavley-Oukrainsky芭蕾舞团创始成员所穿的精选服装,以及旧金山表演与设计博物馆收藏的与该公司有关的各种历史文献,以探索该公司如何利用异国情调的影响作为灵感,这有助于在美国发展一种新的芭蕾舞流派。这些资料来源于对服装的分析如何揭示帕夫利·奥克兰斯基芭蕾舞团的历史意义,这是一个鲜为人知的美国芭蕾舞团。运用物质文化方法,对两件服装进行了个案研究:一件围腰和一件躯干装饰。每件作品的描述、推断和推测都与公司的主要和次要来源相结合,以了解和理解服装在帕夫利·乌克兰斯基芭蕾舞团中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Costumes of the Pavley-Oukrainsky Ballet
This study explores selected costumes worn by founding members of the early twentieth-century Pavley-Oukrainsky Ballet based in Chicago and a variety of historical documents pertaining to the company from the collection of the Museum of Performance and Design, San Francisco, to explore how the company used exotic influences as inspiration, which helped to develop a new genre of ballet in the United States. These sources address how the analysis of costumes can shed light on the historical significance of the Pavley-Oukrainsky Ballet, an otherwise little-known American ballet troupe. Using a material culture methodology, two garments are explored as case studies: a loincloth and a torso ornament. The descriptions, deductions, and speculations of each artifact are combined with primary and secondary sources about the company to contextualize and understand the role of dress in the Pavley-Oukrainsky Ballet.
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CiteScore
0.20
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发文量
28
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