{"title":"国家的透明眼球:沃尔特·惠特曼在《我自己的歌》中想象的国家","authors":"Mohammed I. Alghamdi","doi":"10.19130/iifl.ap.2021.2.18126","DOIUrl":null,"url":null,"abstract":"This paper provides a textual analysis of Walt Whitman’s “Song of Myself”, revealing its significance as a national poem. The paper argues that Whitman’s \"Song of Myself\" breaks literary and political limits, challenging the sovereignty of the nation. By examining \"Song of Myself\" in the six different editions of Whitman’s Leaves of Grass, this paper will further analyze Whitman’s style and his speaker as representations of the limitations and sovereignty of literary tradition and the politics of his nation. By “politics,” I refer to the religious, political, and social doctrines that shape the nation. By “literary,” I mean the traditional literary style of writing, such as the poem’s form, scope, and subject.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Transparent Eyeball of the Nation: Walt Whitman’s Imagined Nation in “Song of Myself”\",\"authors\":\"Mohammed I. Alghamdi\",\"doi\":\"10.19130/iifl.ap.2021.2.18126\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper provides a textual analysis of Walt Whitman’s “Song of Myself”, revealing its significance as a national poem. The paper argues that Whitman’s \\\"Song of Myself\\\" breaks literary and political limits, challenging the sovereignty of the nation. By examining \\\"Song of Myself\\\" in the six different editions of Whitman’s Leaves of Grass, this paper will further analyze Whitman’s style and his speaker as representations of the limitations and sovereignty of literary tradition and the politics of his nation. By “politics,” I refer to the religious, political, and social doctrines that shape the nation. By “literary,” I mean the traditional literary style of writing, such as the poem’s form, scope, and subject.\",\"PeriodicalId\":42007,\"journal\":{\"name\":\"Acta Poetica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Poetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19130/iifl.ap.2021.2.18126\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Poetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/iifl.ap.2021.2.18126","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
The Transparent Eyeball of the Nation: Walt Whitman’s Imagined Nation in “Song of Myself”
This paper provides a textual analysis of Walt Whitman’s “Song of Myself”, revealing its significance as a national poem. The paper argues that Whitman’s "Song of Myself" breaks literary and political limits, challenging the sovereignty of the nation. By examining "Song of Myself" in the six different editions of Whitman’s Leaves of Grass, this paper will further analyze Whitman’s style and his speaker as representations of the limitations and sovereignty of literary tradition and the politics of his nation. By “politics,” I refer to the religious, political, and social doctrines that shape the nation. By “literary,” I mean the traditional literary style of writing, such as the poem’s form, scope, and subject.
期刊介绍:
Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.