时尚出斯克兰顿

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Sarah Hegge, S. Wajda, M. Worrall
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引用次数: 0

摘要

1923年,宾夕法尼亚州斯克兰顿妇女家庭艺术与科学研究所的缝纫和时尚专家玛丽·布鲁克斯·皮肯(1886-1968)推出了一小时连衣裙,这件连衣裙被认为是一种“轰动”。1923年至1925年间,皮肯在美国百货公司举行示威,试图阻止全国缝纫设备和用品销量的下降。电影女演员梅·马什(1894-1968)的支持将这件连衣裙与好莱坞的魅力联系在一起,当时名人和大众消费正在改变时尚行业和广告。重建一小时连衣裙导致对密歇根州立大学博物馆历史悠久的连衣裙收藏进行了重新检查,在那里发现了一件类似线条的服装。作者提供了识别“一小时”型连衣裙的指南。《一小时连衣裙》作为一种教学工具,为研究过去提供了一个案例研究,将工业化前的服装制作(本地生产、定制)与现代质量和风格标准相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fashion Out of Scranton
The One Hour Dress was considered a “sensation” when introduced in 1923 by sewing and fashion expert Mary Brooks Picken (1886–1968) of the Woman’s Institute of Domestic Arts and Sciences in Scranton, Pennsylvania. Through demonstrations held at American department stores between 1923 and 1925, Picken sought to stop a national decline in sales of sewing equipment and supplies. Endorsement by film actress Mae Marsh (1894–1968) linked the dress with Hollywood glamour at a time when celebrity and mass consumption were changing the fashion industry and advertising. Reconstructing the One Hour Dress led to a re-examination of the Michigan State University Museum’s historic dress collection, where was found a garment constructed along similar lines. The authors offer guidelines to identify One Hour-type dresses. The One Hour Dress, as a teaching tool, offers a case study for studying the past to merge pre-industrial dressmaking (local production, customization) and modern standards of quality and style.
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CiteScore
0.20
自引率
0.00%
发文量
28
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