黑色弥撒;或者,10亿次瘟疫和更多

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
T. Alexander
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引用次数: 0

摘要

这篇文章询问我们如何看待2020年夏天在疫情蔓延的情况下举行的“黑人的命也是命”抗议活动的道德问题。它认为,在这些事件中实例化的群体并不是简单地容忍这种接近可能导致的生物医学损害,而是对暴露和脆弱性的道德美德的主张。这些病毒性的联邦并不完全理解新冠肺炎本身,而是理解感染的风险,作为医学种族隔离和社会死亡的尸体政治下黑人历史性的一个数字。为了上演这种违反直觉的风险定价,本文考察了20世纪90年代末出现的赤裸裸和追逐错误的亚文化。这些社区也从他们对艾滋病毒的认同和渴望中获得了亲子关系、亲密关系和少数历史性的手段。把这些运动放在一起思考,也可以通过当代酷儿散居地的交叉镜头来复述艾滋病激进主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Black Mass; or, a Billion Plagues and More
This essay asks how we are to think the ethics of Black Lives Matter protest amid conditions of contagion in the summer of 2020. It argues that the multitude instantiated in these events didn't simply tolerate the biomedical damage that could result from such proximity, but that it stakes a claim for the ethical virtue of exposure and vulnerability. That these viral commonwealths apprehend not exactly Covid itself, but the risk of infection, as a figure for the historicity of Blackness under the necropolitics of medical apartheid and social death. In order to stage this counterintuitive valorization of risk, the essay examines the barebacking and bug chasing subcultures that emerged during the late 1990s. These communities, too, sourced means of filiation, intimacy, and minoritized historicity from their identification with—and desire for—HIV. Thinking these movements together also allows an overdue retelling of AIDS activism through the intersectional lens of a contemporary queer diaspora.
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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