哥伦布前玛雅图形艺术:关于连续写作的符号学思考-图像

IF 0.3 Q4 ANTHROPOLOGY
Cédric Becquey
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引用次数: 0

摘要

书写意象联想是前哥伦布时代中美洲艺术的基本特征之一。这种组合被玛雅人特别开发和使用了近20个世纪。这两种视觉交流模式的共同使用不仅构成了一个艺术过程,还允许转录一种非常复杂的象征思想,是宣传玛雅精英(政治)权力的主要工具之一。在这篇文章中,将揭示支配前西班牙裔玛雅圣经和图像学系统的主要原则,特别是在其艺术表达中坚持文本和图像组成的连续体。在这里,我们将特别研究和讨论标志性或非标志性象征性与象征主义之间的摇摆和混合游戏,这些标志用于产生意义,它们以不同类型的关系为基础,通常是隐喻性的,基于文化习俗,为我们理解古玛雅人提供了丰富的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Artes gráficas mayas precolombinas: consideraciones semióticas sobre el continuo escritura-imagen
The writing-image association is one of the fundamental characteristics of art in pre-Columbian Mesoamerica. This combination was particularly developed and used by the Maya for almost 20 centuries. Far from constituting only an artistic process, the joint use of these two modes of visual communication allowed the transcription of a very complex symbolic thought and was one of the main tools of the propaganda of the (political) power of the Maya elites. In this article, the main principles that govern the pre-Hispanic Maya scriptural and iconological systems will be exposed, especially insisting on the continuum comprised by text and image in their artistic expressions. Here will be particularly examined and discussed the swinging and mixing games between iconic or non-iconic figurativeness and symbolism in the construction of the signs used to generate meanings with which they entertain relationships of different kinds, often metaphorical, based on cultural conventions, rich of teachings for our understanding of the ancient Maya.
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来源期刊
Estudios de Cultura Maya
Estudios de Cultura Maya ANTHROPOLOGY-
CiteScore
0.30
自引率
50.00%
发文量
26
审稿时长
10 weeks
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