纳科斯的保守文化主义

Q4 Social Sciences
Márcio Serelle
{"title":"纳科斯的保守文化主义","authors":"Márcio Serelle","doi":"10.18568/CMC.V15I42.1495","DOIUrl":null,"url":null,"abstract":"This paper investigates the conservative culturalism discourse in the two first seasons of Netflix series Narcos (2015-2016). The conservative culturalism (SOUZA, 2015) is an idea-force that defines Latin-American societies as insufficiently western places, marked by perversity and corruption. Narcos narrates, from an American perspective, the rising of drug trafficking in Colombia and the trajectory of Pablo Escobar. Thus, it mediates schematic representations of Latin Americans. Narcos domesticates some aspects of narcoculture and, at the same time, celebrates them in an audiovisual industrial format. In this article, I discuss those issues by analyzing narrative elements of the series, which, between fiction and document, circulates, with some controversy, as an account of the recent history of Latin America.","PeriodicalId":52154,"journal":{"name":"Comunicacao Midia e Consumo","volume":"15 1","pages":"118-137"},"PeriodicalIF":0.0000,"publicationDate":"2018-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"O culturalismo conservador em Narcos\",\"authors\":\"Márcio Serelle\",\"doi\":\"10.18568/CMC.V15I42.1495\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper investigates the conservative culturalism discourse in the two first seasons of Netflix series Narcos (2015-2016). The conservative culturalism (SOUZA, 2015) is an idea-force that defines Latin-American societies as insufficiently western places, marked by perversity and corruption. Narcos narrates, from an American perspective, the rising of drug trafficking in Colombia and the trajectory of Pablo Escobar. Thus, it mediates schematic representations of Latin Americans. Narcos domesticates some aspects of narcoculture and, at the same time, celebrates them in an audiovisual industrial format. In this article, I discuss those issues by analyzing narrative elements of the series, which, between fiction and document, circulates, with some controversy, as an account of the recent history of Latin America.\",\"PeriodicalId\":52154,\"journal\":{\"name\":\"Comunicacao Midia e Consumo\",\"volume\":\"15 1\",\"pages\":\"118-137\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-04-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comunicacao Midia e Consumo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18568/CMC.V15I42.1495\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacao Midia e Consumo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18568/CMC.V15I42.1495","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 1

摘要

本文调查了Netflix电视剧《纳科斯》(2015年至2016年)前两季中的保守文化主义话语。保守的文化主义(SOUZA,2015)是一种观念力量,它将拉丁美洲社会定义为不够西方的地方,以变态和腐败为标志。纳科斯从美国人的角度讲述了哥伦比亚贩毒活动的兴起和巴勃罗·埃斯科瓦尔的轨迹。因此,它调解了拉丁美洲的示意图表现。毒枭驯化了毒枭文化的某些方面,同时以视听工业的形式庆祝它们。在这篇文章中,我通过分析该系列的叙事元素来讨论这些问题,该系列在小说和文献之间流传,作为对拉丁美洲近代史的描述,存在一些争议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
O culturalismo conservador em Narcos
This paper investigates the conservative culturalism discourse in the two first seasons of Netflix series Narcos (2015-2016). The conservative culturalism (SOUZA, 2015) is an idea-force that defines Latin-American societies as insufficiently western places, marked by perversity and corruption. Narcos narrates, from an American perspective, the rising of drug trafficking in Colombia and the trajectory of Pablo Escobar. Thus, it mediates schematic representations of Latin Americans. Narcos domesticates some aspects of narcoculture and, at the same time, celebrates them in an audiovisual industrial format. In this article, I discuss those issues by analyzing narrative elements of the series, which, between fiction and document, circulates, with some controversy, as an account of the recent history of Latin America.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Comunicacao Midia e Consumo
Comunicacao Midia e Consumo Social Sciences-Communication
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
30 weeks
期刊介绍: The journal Comunicação, Mídia e Consumo – Communication, Media and Consumption – is published in printed and digital versions by the Programa de Pós-Graduação em Comunicação e Práticas de Consumo da ESPM-SP – Postgraduate Programme in Communication and Consumption Practices of ESPM-SP – Escola Superior de Propaganda e Marketing – Superior School of Propaganda and Marketing and it is evaluated as Qualis A2; its editorial line is to approach relevant topics of the field of Communication, understood here as a complex socio-cultural process and practice. The articles must be well-founded and mobilise different authors of a given theoretical tendency so that they develop a critical reflection about the approached thematic topics. In the case of empirical articles, besides the contextualisation and the descriptive stage of the material, we privilege articles which present a theoretico-interpretative of the aspects that are observed in the corpus.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信