{"title":"融合文化:原住民如何重塑西北海岸艺术产业。竹蛏罗斯。温哥华,多伦多:UBC出版社,2018。228页,ISBN 9780774837385。","authors":"Laura J. Allen","doi":"10.1111/muan.12249","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry. Solen Roth. Vancouver, Toronto: UBC Press, 2018. 228 pp. ISBN 9780774837385.\",\"authors\":\"Laura J. Allen\",\"doi\":\"10.1111/muan.12249\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":43404,\"journal\":{\"name\":\"Museum Anthropology\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-02-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/muan.12249\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12249","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry. Solen Roth. Vancouver, Toronto: UBC Press, 2018. 228 pp. ISBN 9780774837385.
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.