THE CONSTRUCTION OF MASCULINITIES AT CHICHEN ITZA: A FUNCTIONAL INTERPRETATION OF STRUCTURE 2D6

Abstract The structure of power underlying the hegemonic control Chichen Itza held over the Northern Maya Lowlands has been debated for decades. In this article, we present the idea of a dominant discourse on masculinities, which played a fundamental role in both practice and on a symbolic level among the strategies designed to support this emblematic pre-Columbian capital. Our discussion of archaeological evidence will focus on spaces where men are represented, where they would meet and carry out rituals. We contend that gallery-patios such as Structure 2D6 served as instruction and socialization locales for groups of warriors. The architectural configuration of this building is very similar to a series of venues at Chichen Itza and other Mesoamerican cities. In these spaces, associated iconography depicts male individuals in processions and ritual practice, including sacrifice and self-sacrifice. We argue that the gallery of Structure 2D6 was a semi-public, performative space, whose theatricality combined the central alignment of a sacrificial stone and a throne or altar with the presence of several patolli boards carved into the building's plaster floor. Chemical analyses of plastered surfaces testify to intense activities taking place around all three of these features.